Partitions pour ensemble mixte

(1998/1999) (Autograph-Edition) Bass-Flöte, Flöte, Bass-Klarinette, Posaune, Violine, Viola, Cello, Kontrabass - Partitur

Emergent was commissioned by the Pnea Foundation for flutist Claire Chase's "Density 2036" - a 23-year project begun by her in 2014 to commission an entirely new body of repertory for solo flute each...

Ikons, commissioned by the Vancouver Cultural Olympiad 2010, exists in two forms. This 14-minute acoustic version, premiered by the Turning Point Ensemble, calls for an octet of live musicians to exec...

Over the course of a diatonic, eight-minute movement, George Lewis's Signifying Riffs: Unison for string quartet and percussion features an atmospheric accompaniment from the percussion and violins, a...

Shiver Lung presents material extracted from a large-scale immersive installation opera called The Force of Things: An Opera for Objects.  A ring of subwoofers encircle the audience, projecting soundw...

Inside every speaker you've ever seen is a cone that does one very simple thing: it moves up and it moves down. As it does, that cone bumps into air, which bumps into more air, which bumps into more a...

Composed for soloist (any instrument) and chamber ensemble (including electric guitar and electric bass), Tales of the Traveler was commissioned by the London Sinfonietta, who gave the world premiere...

Kaoru Wada's Fanfare and Prayer is dedicated to Maestro Robert Austin Boudreau, who commissioned the work for the repertoire of his ensemble, the American Wind Symphony Orchestra. This work is scored...

Kaoru Wada's Fanfare and Prayer is dedicated to Maestro Robert Austin Boudreau, who commissioned the work for the repertoire of his ensemble, the American Wind Symphony Orchestra. This work is scored...

In Ash Fure's Feed Forward for large ensemble, sharp reports from the percussion at first punctuate and divide discrete sections of sonic material played by the rest of the ensemble. Over the course o...

Matthew Taylor's Concerto for Horn in F and Strings is a 20-minute work written in 1999 and revised in 2004. It was commissioned by Ryedale Festival, where it was first performed by Richard Watkins an...