Partitions pour ensemble de cuivres

Scored for three, four-part choirs this canzona is the most fanfare-like and brilliant of Gabrieli's entire output and all based on a simple arpeggio figure. Dur 2'15'

A grand majestic three choir piece firmly in the major key. Dur 3'30'

Scored for three four-part choirs this is an extraordinary work where each choir literally copies the first in succession for much of the time. With carefully distanced groups the effect can be stunni...

Found in the Kassel regional library in Germany, this piece divides the players into three unequal choirs of four, three and five. The three groups are completely integrated throughout, giving a rich...

This fourteen part sonata is not only one of Gabrieli's largest ensembles ~ including a 'coro grave' or low choir ~ but also the most harmonically daring of all his instrumental works. And yet after s...

Conceived for three large groups of five players apiece, this sonata combines grandeur and virtuosity for the three principal players of each choir.

A lavish instrumental work in the 1597 collection. Fifteen voices lying almost exclusively in the alto to bass registers.

This sonata scored for twenty two parts is the most lavish of all Gabrieli's instrumental works. Sonorous affect rather than musical argument is clearly the intention.

Simple yet characterful four-part canzonas found in Raverii's 1608 collection.

Simple yet characterful four-part canzonas found in Raverii's 1608 collection.

A fairly conservative work in five parts, but not without deft harmonic and rhythmic touches which point towards the imagination of later works.

A six part canzona which opens with one of Gabrieli's most characteristic rising themes and goes on to embrace attractive three-part writing, flourishes, scale passages and a brief triple-time section...

The opening theme of this six part work retains the canzona rhythm, but also uses the unusual intervals of diminished fourth and fifth. The overall effect is of a certain angularity and rusticity.

This 6 part canzon is the first to seriously explore Gabrieli's fascination with opposing rhythms. The essentially lyrical duple time music is punctuated four times by a bold triple-time ritornello.

This seven part canzona is one of the most unusual and daring rhythmic pieces with overlapping 3/4 and 6/8 plus a grand coda with dotted rhythms and fast scale passages. Dur 3'45'

An assertive single note call on the familiar canzona rhythm leads to superbly mature seven part contrapuntal writing containing immense rhythmic and textural variation.

The splendidly bright opening and confident major feel of this seven part canzona all point to a work written for a joyous rather than a formal occasion.

This eight part canzona is unusual in having a 'high' and a 'low' choir and also a recurring 'motto' theme. Dur 4'15'

This eight part canzona is subtitled 'Fa Sol La Re' which is a reference to the bass line, repeated in a bright triple time over thirty times finally expanding for the brilliant finish. Dur 3'30'

This eight part canzona is one of the most harmonically advanced, building from a stately opening to increasingly complex rhythms and harmonies. Dur 4'15'

An eight part canzona mainly in triple time and in the major key with extended passages for two separate choirs. Dur 3'

The deceptively calm opening of this eight part work gives way to bouncy 3/4 rhythms and a virtuoso coda. Dur 2'15'

This eight part sonata is perhaps the best known of Gabrieli's instrumental compositions as it was one of the first pieces to specify dynamics and instrumentation. A magnificently aristocratic work. D...

This eight part canzona really sparkles ~ wonderful repartee between the two choirs. Dur 2'

This eight part canzona is one of the most serious of all . Not even the usually bright 3/4 sections can overcome the sombre mood. Dur 3'