Musique classique

John Dowland (1562-1626) has been rediscovered, thanks mainly to a new album by the recording artist, Sting, which features the music of this great English Renaissance composer. Edited by scholar Dr....

The unique Renaissance editions of William Belan continue with this well-known John Dowland (1563-1626) madrigal. The poem is one of the loveliest and most famous from its period, and Dowland's sensit...

This unique setting by Keith Christopher gives this perennial song a new island feel, complete with steel drums and percussion. Choirs and ensembles can sing along with the ChoirTrax, or as an option...

This unique setting by Keith Christopher gives this perennial song a new island feel, complete with steel drums and percussion. Choirs and ensembles can sing along with the ChoirTrax, or as an option...

You've heard the a cappella version of this Debussy piano piece (famously recorded by the renowned Swingle Singers) on Glee. Here is a more accessible setting that will be lots of fun to rehearse and...

You've heard the a cappella version of this Debussy piano piece (famously recorded by the renowned Swingle Singers) on Glee. Here is a more accessible setting that will be lots of fun to rehearse and...

Here is the famous Rossini overture in a rollicking arrangement for a cappella choruses and ensembles! The familiar melodies and clever vocal effects make this ideal for a lighter concert moment or an...

This arrangement of a familiar favorite flows smoothly throughout, written for a cappella choir with keyboard reduction for rehearsal.

John Parker and Greg Gilpin have combined their talents to create this exuberant and original spiritual for a cappella voices. Full of dynamic contrast, rhythmic nuances, and textual percussiveness, '...

This short a capella motet, a setting of Psalm 51, requires a five-part chorus (SATBB). Edited by John Finley Williams, the motet can be performed in English or German and includes a piano reduction f...

A Cappella. Italian and English Lyrics.

From Psalm 137, By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion, this a cappella motet is filled with longing and deep emotion. Performance Time: Approx. 5:00

Maurice Duruflî (1902-1986) dedicated this hauntingly beautiful setting of the Lord's Prayer to his wife. Simple and direct, it is almost chantlike in its melodic purity. Originally written for unison...

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

'Rigwreck' sets a text by poet Pierre Joris on the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. Frequent vocal divisions in up to eight parts, a wide range of dynamic expression, spoken lin...

Ya basta!' is a Spanish saying that roughly translates to 'Enough is enough!'. Regan has combined this with text from a poem by the Spanish poet Antonio Machado. Ya Basta! has an exuberant and carefre...

The text for this piece is a response to Allen Ginsberg's A Supermarket in California by Latvian poet Karlis Verdins, translated by Ieva Lesinska. Jackson exploits its dramatic intent, giving space fo...

This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated 17th-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and the ori...