Peter Schindler
O Ewigkeit
de: Sonne, Mond und Sterne
Peter Schindler
O Ewigkeit
de: Sonne, Mond und Sterne
- Formation Chœur mixte (SATB) et Piano
- Compositeur Peter Schindler
-
Niveau de difficulté
- Édition Partition piano
- Maison d’Édition Carus-Verlag
- N ° de commande CV09266-00
TVA incluse,
Hors frais de port
- Échelle de quantité:
- àpd 40 unités 3,78 €
- àpd 60 unités 3,36 €
Non disponible dans tous les pays. Apprendre encore plus
Description:
Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on 'old' texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.
choral work of medium difficulty
will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background
cross-over between jazz, chanson, and chamber music
Peter Schindler about O Ewigkeit:
We step on the stage of life, pull the curtains wide open and venture a glance at the eternal course of the stars. A powerful choral tutti sounds, the key note of C held on in the basses emphasizes the steadfastness of eternity, and above this is chromatic movement in the upper voices which produces friction.
In the following softer central section, female and male voices sing separately. They sing in characteristic Gregorian style in vivid images of the immeasurable sand in the ocean, of tears and trickles, of the great beginning and the end of the cosmos.
The verses from 1625 convey an image of astonishment, of seeking and not least also of comfort. The text functions as a framework, as it is repeated in a shortened form in the last number of Sonne, Mond und Sterne. It encapsulates the many life situations which are sketched and sung about in the staged cantata in metaphysical questions.
choral work of medium difficulty
will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background
cross-over between jazz, chanson, and chamber music
Peter Schindler about O Ewigkeit:
We step on the stage of life, pull the curtains wide open and venture a glance at the eternal course of the stars. A powerful choral tutti sounds, the key note of C held on in the basses emphasizes the steadfastness of eternity, and above this is chromatic movement in the upper voices which produces friction.
In the following softer central section, female and male voices sing separately. They sing in characteristic Gregorian style in vivid images of the immeasurable sand in the ocean, of tears and trickles, of the great beginning and the end of the cosmos.
The verses from 1625 convey an image of astonishment, of seeking and not least also of comfort. The text functions as a framework, as it is repeated in a shortened form in the last number of Sonne, Mond und Sterne. It encapsulates the many life situations which are sketched and sung about in the staged cantata in metaphysical questions.