Partitions pour chœur mixte

For SSAATB unaccompanied.

For SATB double choir unaccompanied.

For SATB double choir unaccompanied. Setting words from the Ordinary of the Lutheran Mass, this brief but resoundingly effective piece is perfect for opening a choral concert. The piece begins with ea...

For SATB unaccompanied. This collection presents some of most attractive carols by the composer Charles Wood and the hymnodist, antiquarian, linguist, and musician G.R. Woodward, who both composed his...

for SATB unaccompanied

For SATB (with divisions) unaccompanied.

For SATB unaccompanied. This joyful setting of an old Irish air, arranged by Sir Charles Villiers Stanford and edited by John Rutter, features a text by Thomas Moore on life's fleeting pleasures. A re...

For SATB (with divisions) unaccompanied. This festive arrangement of a traditional German carol features an English text, translated and adapted by John Rutter. The first two verses are sung by solois...

Well suited to beginners, this is a piece of elegant simplicity that remains in rhythmic unison throughout, with focus placed on the dynamic range. Its text, written by the composer, emphasizes the co...

For SATB unaccompanied. Commissioned by Chorus America, A Dedication and an Amen is a flexible work designed for use in a variety of contexts. Featuring a secular Dedication and an optional Amen, it c...

This anthem for unaccompanied choir juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with 'The red rose whispers of passion' by the poet John Boyle O'Reilly. Jackson com...

This attractive motet was written for performance alongside Brahms's Requiem. The gracefully sculpted music clothes the text with touching melodies, expressive harmonies and varied sonorities.

This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated 17th-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and the ori...

For CCBar unaccompanied. This title features the celebrated spirituals 'Steal away' and 'My Lord, what a morning!'. With their repeating choruses and verses, the arrangements are quick to learn yet ef...

for SATB unaccompanied

I am the Song is an imaginatively-conceived showpiece setting a fine and thought-provoking poem by Charles Causley.

This straightforward but effective a cappella arrangement of the well-known English carol speaks directly to the listener, and its occasional unexpected harmonic turns will delight. Offprinted from Ca...

The text for this part-song is a deftly chosen selection of lines from Keats' Ode to a Nightingale. Jackson's setting features many of his stylistic hallmarks: glissandi, melismas, aleatoric patterns,...

This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett. Well-crafted and tender melodic lines are shared betwee...

This optimistic and affirmatory anthem sets a useful service text of general thanksgiving from the Book of Common Prayer. Chilcott makes full use of the imitation and antiphonal effects that these for...

This beautiful and much-loved Somerset folk-song is No. 2 of Five Traditional Songs arranged for mixed choir by John Rutter (ISBN 9780193437173). The enduring appeal of the song lies in the beauty of...

In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminisc...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

In this atmospheric piece Gabriel Jackson sets a text by the Victorian poet Christina Rossetti. The first stanza is sung by sopranos only, with expressive chromatic lines evoking the 'darkness' and 'c...