Partitions pour chœur mixte

Sing we a song that takes but a minute. ' This clever a cappella original captures all of the character and charm of a true Renaissance madrigal and adds a touch of timeless (or rather, 'timed') humor...

This new edition of an a cappella English madrigal is well-researched and remains true to the original, yet makes harmonic challenges particularly accessible for 3-part choirs. Enjoy major and minor k...

This new edition of an a cappella English madrigal is well-researched and remains true to the original, yet makes harmonic challenges particularly accessible for 3-part choirs. Enjoy major and minor k...

SATB choirs, accompanied only by an optional snare-drum, will love singing this clever a cappella arrangement from Tchaikovsky's famous ballet. Easy to prepare with equal doses of unison singing, unco...

SATB choirs, accompanied only by an optional snare-drum, will love singing this clever a cappella arrangement from Tchaikovsky's famous ballet. Easy to prepare with equal doses of unison singing, unco...

SATB divisi, a cappella. A must-have novelty number for choirs with a sense of humor! Offenbach's most famous overture has been skillfully arranged with familiar melodic themes that pass between secti...

SATB divisi, a cappella. A must-have novelty number for choirs with a sense of humor! Offenbach's most famous overture has been skillfully arranged with familiar melodic themes that pass between secti...

Rhythmic vocal parts are added one by one over the bass section's walking line, creating a multi-layered a cappella arrangement that is uniquely satisfying to sing and equally exhilarating to hear. An...

Rhythmic vocal parts are added one by one over the bass section's walking line, creating a multi-layered a cappella arrangement that is uniquely satisfying to sing and equally exhilarating to hear. An...

This song was the last one written by George Gershwin before his untimely death at the age of 39. New York Voices' Darmon Meader has arranged it in a classic a cappella vocal jazz style, with surprisi...

Get your mouths moving with this fun setting of the popular text from the Psalms! Nygard's setting may be performed a cappella or with the optional keyboard and percussion.

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

An a cappella spiritual arrangement in the classic tradition. Opens with the basses singing a repetitive pattern followed by the other voices entering with the main melody. Solid, homophonic choral wr...

An a cappella spiritual arrangement in the classic tradition. Opens with the basses singing a repetitive pattern followed by the other voices entering with the main melody. Solid, homophonic choral wr...

An a cappella spiritual arrangement in the classic tradition. Opens with the basses singing a repetitive pattern followed by the other voices entering with the main melody. Solid, homophonic choral wr...

The ultimate original madrigal for 3-part choirs. Independent vocal lines, terraced dynamics, and a joyful 'music' text create an ideal teaching piece that works well as a concert opener or an a cappe...

The ultimate original madrigal for 3-part choirs. Independent vocal lines, terraced dynamics, and a joyful 'music' text create an ideal teaching piece that works well as a concert opener or an a cappe...

This a cappella edition is based on Tchaikovsky's arrangement of a song composed by 18th century Russian composer, Dmitry Bortnyansky. Bortnyansky's polyphonic style (developed during an extended stay...

This a cappella edition is based on Tchaikovsky's arrangement of a song composed by 18th century Russian composer, Dmitry Bortnyansky. Bortnyansky's polyphonic style (developed during an extended stay...

Scored For SATB (includes Piano Part - for rehearsal only). Fidelio, The Barber of Seville, Die Fledermaus, The Magic Flute, The Marriage of Figaro, and William Tell.

The strength of this steady, walking-tempo spiritual comes from the powerful dynamic contrasts and solid choral writing. Features brief descant-style female solos. The optional hand drum adds a rhythm...

The strength of this steady, walking-tempo spiritual comes from the powerful dynamic contrasts and solid choral writing. Features brief descant-style female solos. The optional hand drum adds a rhythm...

Think collegiate-style a cappella with a street corner, doo-wop twist! Great individual vocal lines layer to make this a full-sounding choral from start to finish. An excellent change of pace in any c...