Partitions pour chœur mixte

Here is a lovely setting of the 19th century William Bartholomew text that reflects on the new life that is born in the midst of winter, turning darkness into light and doing just that through music,...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

Opening with a slow, unaccompanied statement of the refrain, this contemporary setting of the traditional spiritual then unfolds into a dramatic layering thematic treatment that is tremendously exciti...

The initial musical theme that begins this piece becomes almost a passacaglia, repeating throughout the piece. But with Kevin's artistic touches it becomes the eternal light that the text expresses, e...

South Korea and the United States have a beautiful relationship and share many values, one of which is undeniably our love of great choral music. Sowol Kim is admired as the founder of modern Korean p...

Jesse Beulke is a relatively new name yet his writing deserves notice. Selected for the David Dickau Signature Series, this piece may bring him the appropriate attention. The text is quite traditional...

Who doesn't remember musical moments in their past, when singing became transcendent and the moment became a memory never to be forgotten? Henry Van Dyke's poem recalls that time and Matthew Emery, th...

Selected for the Magen Solomon series, this dreamy setting is beautiful and distinctive. The magic of this arrangement is in the creativity of the harmonies. An excellent Christmas selection for high...

Guy Forbes gave us O Nata Lux many years ago and we have patiently waited for its sequel. Now we have it, a stunning setting of There Is No Rose that delivers exactly what we hoped for. It is a beauti...

This worshipful a cappella setting of a familiar text beckons us to grasp the truth of Chrit's call to come to Him and find rest. Prayerfully penned with rich choral writing, this reverent reminder tr...

The familiar words of Charles Wesley are treated to a thoughtful, new musical fitting by respected musician, Ken Berg. Beginning in E minor with treble voices in an unadorned unison the voices soon br...

Cantate Domino means sing a new song to the Lord, and this composition truly embodies its meaning. Beginning in 7/8, the opening motif is a short statement in Latin, then English, that establishes the...

Selected for the Bruce Rogers Choral Series, this setting of Danny Boy by Trevor Gomes is uniquely lovely. Following a stark opening the piece grows in richness and vocal parts, with stirring harmonie...

Stacey Gibbs has become one of the most commissioned composers of our age because his arrangements of spirituals bring the house down. His setting of this familiar spiritual falls right into line - so...

This Christmas piece is everything you would expect from Richard Burchard and so much more. The lovely melody and flowing harmonies are anticipated, as are the familiar words of the carol, but the acc...

Want to pep up a worship service, or rouse the audience with a super encore? This is the piece to do it. There's some fun levity in this good ol' spiritual, especially the part about the choir singer....

Stacey Gibbs is known for his fine arrangements of spirituals. What a treat to hear his artistry at work on a classic hymn like Softly and Tenderly. There's a middle section he has created when you ca...

This powerfully descriptive piece by Paul Doust uses programmatic musical elements that mirror the lyrics. The text is an anonymous, Gaelic blessing with poetic words and images. Paul's setting is fre...

Seven variations on an old Ashkenazic folk song for children. Text by L. Kipnis. For SATB choir and solo voice a cappella, in Hebrew.

Text from Psalm 121. For SATTB A Cappella.

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Lyrics by Steven Brown. 'You were just names to us, on a long journey, you were just names to us, on the troubling journey. ' For SATB a cappella, Rehearsal Keyboard.

Transcontinental Music's all-time bestseller. The text was found written on a wall in a basement in Cologne, Germany by Allied troops after World War II. Available for SATB, SSAA and TTBB