Partitions pour chœur mixte

Latin and English texts. Available: SSATB a cappella.

German and English texts. Available: SSATBB a cappella.

Italian and English texts. Available: SATB Double Choir a cappella.

Available: SATB a cappella, TTBB a cappella.

Italian and English texts. Available: SATB a cappella.

French and English texts. Available: SATB a cappella.

Latvian and English texts. Available: SATB a cappella.

This rhythmic and expressive version of the well known spiritual is dedicated to the Dale Warland Singers' conductor. That, and the SATB divisi setting makes it best suited for the well trained a capp...

A truly beautiful and haunting arrangement of this well loved spiritual, which permits the accomplished high school choir to give it full expression. Moderately difficult.

The 17th century text by Thomas Traherne is given an impressive and challenging setting suitable for a large choir.

The English text is taken from the 15th century and is set by British composer and member of the King's Singers. The beautiful and quiet melody offers soli for tenor and soprano. Moderately difficult,...

Inspired by Grace Noll Crowell's lovely poem, this setting has immediate appeal to both school and church use. The music moves beautifully with the words, making the composer's marking with awe and wo...

This lovely composition builds its beauty and excitement on the Biblical text from Song of Songs. The composer is the artistic director of the Chicago A Cappella, a nine voice ensemble. Moderately dif...

The Scottish folk melody in this shimmering arrangement presents soli for baritone and soprano within the beautiful melody line.

Rhythmically challenging, the traditional text winds around nonsense words, enhancing the driving beat. For an advanced high school SATB chorus, unaccompanied.

Based on an 8th Century St. Ambrose text, this is a lush, moderately difficult SATB piece that would work well as a showcase for a good high school choir. Unaccompanied.

SSAATTBB

Melodic and musically rewarding, with a Latin text that applies best to the Lenten season, especially Good Friday, this would also sound impressive in a concert venue. Well worth the work!

Adapted from Psalm 46, this sensitive setting emphasizes breath and dynamic control, and would work best in church services or choral festivals. As uplifting as it is challenging.