Partitions pour chœur mixte

In principio takes its words from the Gospel of John 1:1-14 and puts them into a five-movement form. This work, as in all of Pärt's music, is governed by a strict formal design, with the clarity of th...

Arvo Pärt says of this work: In the 1960s I became so fascinated by that central idea of Christianity 'Love your enemies' that it gave birth to my composition Credo. The work comprises two musically o...

Partitur = Orgelstimme.

Pärt's take on the Te Deum text, also known as the Ambrosian Hymn, employs his signature tintinnabuli style of composition. The melodic lines, as well as their harmonies, strictly follow the rhythms o...

Instrumentierung: für Solisten: Sopran, Alt, Tenor, Bass, Chor SATB Orgel und Orchester

Für Solisten: Sopran, Alt, Tenor, Bass, Chor SATB, Orgel und Orchester. Sprache: altkirchenslawisch.

Gottwald always seems to find forgotten gems, and these Three Songs by Hans Sommer are an example. Based on texts by Goethe, they are arranged in inspired form for mixed chorus. For advanced choirs.

The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and p...

UE choral editor Clytus Gottwald brings us Three Early Songs of Anton Bruckner (Frühlingslied, Herbstkummer, and Im April), originally for voice and piano and now in settings for six-part choir. For a...

With songs translated by Clytus Gottwald, these three short songs for choir are a perfect introduction to Austrian composer, Joseph Marx's, body of work.

Composer and choir master Clytus Gottwald comments on his transcription of Anton Webern’s Im Sommerwind (1904) as follows: 'First of all I had to eliminate all those parts of the source material that...

Unlike the works Karol Szymanowski composed during the first two decades of the 20th century, his Stabat Mater could only have been written in a country with Slavic culture. Drawing on his musical roo...

Unlike the works Karol Szymanowski composed during the first two decades of the 20th century, his Stabat Mater could only have been written in a country with Slavic culture. Drawing on his musical roo...

Nine newly composed hymn tunes to the text of N. F. S. Grundtvig. Choral score available: WH33308B. Melody part available: WH33308C. Nine newly composed hymn tunes to the text of N. F. S. Grundtvig. C...

Das Offertorium Gloria et honore war von Carl Maria von Weber zu seiner 1818 in Dresden komponierten Messe Nr. 1 in Es-Dur op.75 für Soli, gemischten Chor, Orchester und Orgel gedacht. In den Ausgaben...

Méditation d'une beauté saisissante sur le deuil de la Vierge Marie, tirée du Stabat Mater 2008 de Jenkins.