Partitions pour chœur mixte

God Be In My Head is a work by David Briggs for SATB Choir and Organ Accompaniment. It is a setting of a Sarum Primer from 1558 and lasts around 2 minutes.

James Davy 's O Salutaris Hostia is a work for SATB Choir and Organ Accompaniment, setting the text written by Thomas Aquinas for the Feast of Corpus Christi. A performance lasts around 4 minutes.

For The Beauty Of The Earth is a work by John Joubert for SATB Choir and Organ (or Piano) Accompaniment. Subtitled Hymn-anthem on the tune 'Moseley', the work sets text by F. S. Pierpoint, with a full...

John Joubert's Reflection On Plainchant Antiphon - In Odorem for SATB. Commissioned by ORA100 for Suzi Digby OBE and the singers of ORA. Duration: 3 minutes

The Imperial 'Nelson' Mass is a work by Franz Joseph Haydn for SATB Chorus and Piano Accompaniment. This is the Vocal Score.

In its context the work... sound (s) atmospheric and imposing, and it can quickly be learnt. -Choir & Organ, December 2017

Commissioned by St. Stephen's Episcopal Church, Armonk, New York. With verses from Psalm 84, adapted by Nils Chittenden, from the New International Version of the Bible. Arranged for SATB Choir and Or...

Owain Park's Gentle Mary Laid Her Child for SATB and Piano. Commissioned by Wimbledon Choral Society to mark the 20th anniversary of Ian Partridge CBE as its President. First performed by Wimbledon...

Thea Musgrave's Missa Brevis for SATB and Organ. Thea Musgrave's Missa Brevis was given its first performance by Wells Cathedral Choir, on the Feast of John the Baptist, Sunday 24th June, 2018, by We...

Commissioned by Professor Nicholas Childs and the Black Dyke Band, and supported using public funding by Arts Council England. The first performance was given at the Royal Northern College of Music, M...

Matthew Martin's The Fifth Service for SATB and Organ. Commissioned by Simon Bell and written in memory of Margaret Bowen for the Choir of Dean Close School and Tewkesbury AbbeySchola Cantorum. Durat...

Matthew Martin's Psalm 150 for SATB and Organ. Duration: 4 minutes

Martin Shaw's Te Deum Laudamus In D Flat for SATB. Composed in 1932.

Paul Mealor's We Beseech Thee, Almighty God for SATB. Commissioned by Matthew Owens for the Cranmer Anthem book and first performed by the St Salvator's Chapel Choir, St Andrews, conducted by Matthew...

Co-commissioned by the Edington Festival of Music within the Liturgy and by Edward and Sarah Armitage to commemorate their 20th wedding anniversary. This Missa Brevis ('short mass') was written at the...

Here is a lush setting of a familiar text from the Book of Common Prayer. Ranges are moderate, harmonies are lush and the result is stunning.

A work for SATB choir and organ setting an excerpt from Ode for Music on Saint Cecilia's Day by Alexander Pope. It was first performed as part of the Festival of St Cecilia 2018 at St Paul's Cathedral...

The 'Lord Reigns' is a movement taken from Allain's 'Vespers - Songs of the Sea' for choir, strings, percussion and organ here re-worked for SATB choir and organ. accompaniment. The text is from Psalm...

A short motet with text from the Book of Ezekiel that is liturgically apposite from the Easter Vigil through to Pentecost and also for baptisms.

First performed in 1994 by Cirencester Parish Church and published here for the first time, this is a setting of text taken from the Psalms, scored for mixed voices with organ accompaniment

Un hymne pour l'Ascension écrit pour le festival de la cathédrale de St Davids et créé dans le cadre de l'émission Choral Evensong de la BBC Radio 3.

This six-minute anthem by Matthew Martin was commissioned by the Dean and Chapter of Westminster for a service held on 15th October 2019 to mark the 750th anniversary of the dedication of the Abbey Ch...

Commissioned by The Revd Dr Jonathan Holmes and Queens' College, Cambridge for Suzi Digby OBE. First performed on 21 November 2021 in Queens' College Chapel, conducted by Ralph Allwood.

A Lenten motet by Owain Park, setting words from the Passion story according to St John. The melodic lines have a wandering, searching quality, and are interspersed with narrative passages that contai...

A cantata with libretto by Rev. W. J. Sparrow Simpson (see also Crucifixion) for performance at the Gloucester Triennial Musical Festival 1883.