Partitions pour chœur d'hommes

A boisterous and energetic piece that portrays the Magi's great joy at seeing the star in the East. Orchestral material is available on hire.

A festal setting of this familiar tune, imposing and exciting but not difficult, with a few thrillingly unexpected harmonies and modulations. Score and parts for brass and percussion are available on...

An arrangement for SATB is also available.

Now fie on love is a rollicking glee with all the usual imitative points and a somewhat unusual allotment of brawny sarcasm. It makes an effective encore.

I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowin...

This secular work for upper voices sensitively sets Langston Hughes's poem of the same name. A lilting melodic line, eloquent part-writing, and an effective piano part combine to create a piece that w...

Suitable for concert use, this simple, delightful setting of a Yeats poem embraces nature's beauty and the secret joy of solitude. Soaring melodies, rich harmonic language, and a piano part that is bo...

This work is classic Chilcott - vibrant, fresh, and great fun. It is an exuberant setting of the well-known carol in which the 'five gold rings' refrain is re-written to appear in an array of guises:...

The text is a beautiful poem by Clive Sansom (1910-81) that narrates the experience of the shepherds, drawn by starlight to the baby Jesus. Also available in versions for solo high voice and mixed voi...

Set in four parts, this atmospheric carol unfolds simply, from stillness and silence, in awe and contemplation. The choral writing is punctuated with a high solo voice singing phrases that call to min...

Rutter's charming piece sets a secular text by the composer that emphasises the significance of music and harmony in an ephemeral world. A simple accompaniment figure in the piano provides the backdro...

Orchestral material is available on hire

There are three songs making up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'The Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal tex...

TaReKiTa is a refreshing concert piece that effortlessly fuses the Hindustani (North Indian) and Western classical music styles. The composer's scats are combined with a fast triple metre, vocal slide...

In this gently uplifting setting of the opening of Psalm 25, Skempton's seamless homophony creates a reflective sound-world. With beautifully blended vocal parts, resonant harmonies, and a supportive...

Setting a text spoken by Nurse Edith Cavell on the eve of her execution in 1915 and re-fashioned by the poet Seán Street, McDowall has created a work of haunting beauty. It is equally suitable for fun...

Pulsating rhythms underpin this energetic arrangement of a traditional spiritual. The voice parts progress from a forthright rendition of the famous tune at the beginning to bold and exciting harmonie...

The five short songs which make up this work are all settings of translations of Chinese poetry from the Tang dynasty (618-906AD) and several of them are about the separation of the lover from her bel...

A Blessing for Bendigeidfran' is the third movement of Four Welsh Psalms. It was recorded by the London Welsh Male Voice Choir, and this was chosen as one of Classic FM's 'Platinum Performances' in 20...

A Blessing for Bendigeidfran' is the third movement of Four Welsh Psalms. It was recorded by the London Welsh Male Voice Choir, and this was chosen as one of Classic FM's 'Platinum Performances' in 20...

This uplifting work by American composer Reginal Wright sets a text by the nineteenth-century poet Arthur O'Shaughnessy. The powerful words are sung to a memorable melody embellished with syncopation...

Clarke's duo is in two contrasted movements and was originally written as a concert piece for the composer to play with the English cellist May Mukle.

One of John Rutter's famous carols now arranged for lower voices. In this version, the melody line trades between the tenors and basses, where it is clearly stated when not in the top voice. Also avai...