Partitions pour chœur féminin

This setting of Psalm 95, written for Truro Cathedral Choir, was shortlisted for a BASCA British Composer Award 2013. Evocative and subtle in its use of colour and texture, the piece has independent o...

A single movement for bassoon exploring the potential of an instrument much neglected in solo music.

An accompaniment for orchestra without organ is also available. Full scores, vocal scores, and instrumental parts are available on hire. The first movement of Gloria is available separately under the...

O Come, Emmanuel is an Advent Celebration, suitable for both church and concert choirs. It is based on the seven Great 'O' Antiphons, and fragments of the well-known plainsong hymn permeate the work....

A Gaelic Blessing is one of John Rutter's best-loved choral works, and now, thanks to the composer's own highly sensitive arrangement, it is available to organists to play as a gently expressive inter...

This expressive anthem brings together excerpts from the gospels that express God's commandment to mankind to love one another. Underpinned by a flowing piano or organ accompaniment, Love one another...

A simple and tender seeting of William Blake's famous poem, particularly suitable for younger voices.

Quartel has chosen a powerful combination of texts by Hildegard von Bingen and Mother Teresa for this emotive choral work. The main choir is accompanied by a small ensemble singing the word 'love' wit...

Suitable for remembrance services, Ramsey's six-voiced setting of 'How are the mighty fall'n' is one of the finest sacred madrigals of the early 17th century, alongside works such as settings of 'When...

This jubilant carol alternates between a homophonic refrain and verses where the melody is sung over an open-fifth drone. Offprinted from Carols for Choirs 6.

Fred Onovwerosuoke presents six authentic arrangements of African songs. Published in two small collections - set 1 for SA and this set for SSA - the songs originate from a variety of locations, inclu...

The text is that of a standard Latin Missa brevis, to which several relevant English poetic texts have been added. The first and last of these are taken from Bishop Thomas Ken's renowned morning and e...

This Christmas gradual sets a text from the second chapter of the book of Matthew depicting the moment that the angel tells Joseph to take his family to Egypt. The original instrumentation is flute, t...

This artistic setting features a text adapted from Rossetti's reverent 'Before the Paling of the Stars.' A haunting melodic theme sets the tone for this minor-mode gem, which could be considered a con...

This tender song is an eloquent ode to friendship, comparing it to the lovely blooms of nature's most beautiful flowers. Your female singers will treasure every note and word. Pretty and poignant.

Here's an exuberant mixed-meter festival work that is bookended by a joyful fanfare and features a lovely legato section in the middle. Laura's highly regarded compositional skill is evident throughou...

This joyful chorus concludes the second act of Gluck's mythological opera, as Orfeo and Euridice are reunited. The 3/4 lilt and ringing sonorities work especially well for SSA choirs.

The buoyant music and hopeful text of this contemporary original are reminiscent of a traditional American folk song. A compelling accompaniment gracefully winds throughout, easily navigating metric c...

A whimsical chromatic piano motif opens and reappears throughout this buoyant Shakespeare text setting. Offers excellent three-part writing for treble or mixed ensembles and an appropriate balance of...

Your choirs will sound their best performing this elegant, contemporary arrangement of the well-known American folk song. Uplifting for school and church choirs alike.

A rich accompaniment and fresh-sounding harmonies drive this powerful arrangement to a dramatic and majestic finish. A holiday highlight for school and church.

What a mixed-up, mixed meter, crazy and fun arrangement of 'Jingle Bells!' As the lyric states, 'The melody's the same; the rhythms, they are not.'

This re-voicing of Mendelssohn's Romantic oratorio chorus allows both SSA and SAB choirs to enjoy a cherished choral standard. The re-configured vocal statements are firmly rooted in the original and...