Partitions pour chœur féminin

There are more voicings available for this piece than any other work in the Hinshaw catalogue (SATB, SAB, 2-part, and TBB). Now set for SSA voices with piano, the work is useful in building independen...

Originally written for mixed voices (HMC1940), Larry Shackley provides us with a very effective treble chorus voicing. This beautiful lyric melody would be great for lessons and carols, Christmas Eve,...

This moving piece for treble voices with piano and optional C instrument may be 'secular' but has a very deep message to convey. It is probably best with mature high school students or adults on a spr...

Scored for treble choir (SSAA) with piano, this is a very popular English folk song, a true winner for your spring concert!

Originally commissioned for an ACDA children's honor choir, this work by Tom Shelton is scored for treble chorus (SSAA) with piano and cello. Try it with treble voices of all ages!

Many of you have known the sacred music of David Schwoebel for quite some time. This is his first published secular work. Based on a text by Elizabeth Barrett Browning, the piece is scored for SSAA tr...

Scotland has given us a trove of folk tunes. Loch Lomond is one of the most popular. Here, Anne-Marie Hildbrandt beautifully captures the spirit of the piece and sets it for treble chorus in three-par...

Most of you have known the settings for mixed chorus and male chorus of this masterpiece. Now, is it available for treble chorus. Take special note of the information found on the cover page.

Thomas Bell has set this Swedish melody for treble chorus with piano. The accompaniment 'ripples' up and down the piano imitating the movement of water and the chorus sings above as if sailing on the...

Based on Isaiah 55:1-2, this piece truly captures the energy of the text. Scored for SSA voices with piano and optional side drum, the piece would be a great spring concert opening. Lots of fun!

The traditional Irish tune Denis Delaney is arranged here for treble choir (SSA) with piano and fiddle. Set to the traditional liturgical text, composer Dan Rash really captures the spirit of the Iris...

Now this piece is really fun! Scored for treble chorus (SSA) with piano and optional string bass and drum set, the musical style hearkens to an earlier time but still speaks to us today. Your female s...

In this very powerful, exquisite setting of the traditional Gaelic prayer, Elaine Hagenberg vividly presents the initial image of longing and unrest to the ultimate resolution of assurance that 'thoug...

Another outstanding addition to the Andre Thomas Series, this is a lovely setting of the John Greenleaf Whittier poem for women's voices. Try it during American music month or for your winter choral c...

Rene Clausen's All That Hath Life And Breath Praise Ye The Lord! arranged for SSAA voices by Ronald R. Weiler II.

A delightful adaptation of Mascagni's Chorus from Cavalleria Rusticana for Treble Voices with Piano accompaniment, adapted and with words by Sigmund Spaeth. In its original operatic setting it is a t...

The incredibly talented Mark Hayes breathes new life into this inspirational favorite. Beginning with a cool, almost tribal, percussive groove, new harmonies sweep in and out of this outstanding orche...

Arranged for SSA Choir and Piano by Hawley Ades.

Arranged for two-part high-voice choir and piano, with optional percussion. Also available for SSA.

The Christmas Song ('Merry Christmas To You') by Mel Torme and Robert Wells, has been carefully arranged here for SSA Choir and Piano accompaniment by Roy Ringwald. Includes tone Syllable to aid chora...

Russell Robinson has taken this work by Galuppi and cleverly arranged it for women's voices in three parts. The key has been lowered to D major, making the highest note for the soprano an F-sharp. The...

Uses: General, Music Appreciation, Concert Scripture: Psalm 66:4; James 5:13; Psalm 96:1 Leaping joyfully from the score, this music of unbridled energy calls the world to jubilant praise. Masterfully...

Version for SSA Choir. Arranged by Roy Ringwald. Text: Frederick H. Martens