Partitions pour chœur féminin

Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines, call and response and the vitality of the congas, claves and djembe...

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase “Gloria in Londinium, invictus, invicta” to symbolize the co...

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase "Gloria in Londinium, invictus, invicta" to symbolize the coming togethe...

Bright mixed meters, syncopation, hand claps and canonic imitation bring spirit and life to this accessible work for young and developing voices. The text from Psalm 150 is sung in accessible Hebrew a...

Bright mixed meters, syncopation, hand claps and canonic imitation bring spirit and life to this accessible work for young and developing voices. The text from Psalm 150 is sung in accessible Hebrew a...

This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...

This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...

Les parties vocales fluides soutiennent le texte expressif : Là où se trouvent la charité et l'amour, Dieu est là, et ce morceau de célébration dépeint magnifiquement ce message universel. Un excellen...

Already a success with advanced high school and college choirs in its mixed and men's versions, this impressive, yet romantic piece, in a new treble chorus setting, is well-suited for festival high sc...

Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it m...

Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it m...

Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...

Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...

This work bounds away with spirit and energy, embracing the force of nature portrayed in the Anne Brontë poem. This selection will showcase middle and high school developing choruses at their best in...

This work bounds away with spirit and energy, embracing the force of nature portrayed in the Anne Brontë poem. This selection will showcase middle and high school developing choruses at their best in...

This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

This beautiful and moving Hebrew prayer is one of the most beautiful in all of Jewish litanies. As we sing we ask God to treat us with charity and kindliness and save us!. This arrangement is lush and...

This beautiful and moving Hebrew prayer is one of the most beautiful in all of Jewish litanies. As we sing we ask God to treat us with charity and kindliness and save us!. This arrangement is lush and...

Une prière classique est caressée par une musique séduisante dans cette brève et belle offrande. Répondant au besoin constant de réponses efficaces au culte, cette pièce s'élève au-dessus de l'utilité...

Four movements from the end of the Passion section of Considering Matthew Shepard we hear from a deer. It has been well established that Matt loved the outdoors and it is fitting that a deer should si...

Four movements from the end of the Passion section of Considering Matthew Shepard we hear from a deer. It has been well established that Matt loved the outdoors and it is fitting that a deer should si...

When Leonard Bernstein wanted to cleanse his pallet he studied Haydn. This chorus from Haydn's Heiligmesse is an ideal introduction to classical style and a wonderful vehicle for you as the director t...

When Leonard Bernstein wanted to cleanse his pallet he studied Haydn. This chorus from Haydn's Heiligmesse is an ideal introduction to classical style and a wonderful vehicle for you as the director t...