Partitions pour chœurs

A Thin Place is a work by Jonathan Wikeley for Upper Voices and optional Organ Accompaniment

Giles Swayne's Alleluia. Set of instrumental parts for Harp, Piano and Percussion (3 players).

A lively, rhythmic setting of the evening canticles, written for the Southern Cathedrals festival. It's one of those pieces that's difficult to shake from your mind once you've sung it.

Commissioned by The Gabrieli Consort and first performed on 8 June 2017 in St John's Smith Square, London, conducted by Paul McCreesh.

C. Hubert H. Parry's Te Deum Laudamus, Composed for the coronation of King George V. For SATB Choir and Organ.

The Wells Service' for mixed voices and organ accompaniment was first performed at Choral Evensong during the new music wells 68-08 festival on Friday 13th June 2008, by the Girl Choristers of Wells C...

The Wells Reponses' for upper voices and organ accompaniment were first performed at Choral Evensong during the new music wells 68-08 festival on Friday 13th June 2008, by the Girl Choristers of Wells...

Nocturns' was written in 1990 and takes its title from one of the divisions of the old Church Office of Matins. The texts from Herrick, Lamb and anonymous medieval verse, are linked to form a fleeting...

An extended work for choir and organ by 'Britain's greatest living composer of Art Song' (Musical Opinion) and 'a song composer as fine as Finzi and Gurney' (BBC Music Magazine). The work was premiere...

Outcry is a protest against the maltreatment of the animal kingdom by man, expressed through settings of poems by William Blake (1757-1827), Thomas Hardy (1840-1928) and John Clare (1797-1864). It was...

This cantata, one of Coleridge-Taylor's final works written in 1911, sets the oriental poems of his good friend Alfred Noyes. The work was premiered in 1911 conducted by Arthur Fagge.

Written for unison voices and organ.

Harmonised and arranged by C H Kitson. Words translated from the French Quittez Pasteurs by Alice Raleigh.

O This Night Is Born Noel, a french carol of the 17th century, arranged with English words by Gerald Cockshott. Scored for unison voices and piano.

For Unison Voices.