Chœur et Chant

Composé en 2009, ce court introït solennel a été la première de plusieurs œuvres a cappella que j'ai écrites pour Matthew Owens et les Wells Cathedral Girl Choristers. Le texte latin ('Soyons joyeux')...

Cette mise en musique de la messe latine (sans le Credo) a été créée en mai 2016 par les choristes du Wells Cathedral Choir. La pièce est écrite pour trois voix de chœur aiguës non accompagnées (SSA,...

Une mise en musique de vers pastoraux de Polonsky datant des deux dernières décennies de la vie du compositeur, après son retrait de la vie musicale à la suite de la révolution russe. Leokadiya Kashpe...

Cette œuvre (ici dans la version pour voix de chœur aiguë) de Kim André Arnesen, l'un des compositeurs contemporains les plus joués de Norvège, a été commandée par l'Athens Master Chorale en Géorgie (...

Note du compositeur:'La version originale de Ring the bells pour chœur mixte, aujourd'hui disponible dans une version pour voix de chœur aiguë, a été commandée par le London Philharmonic Choir, qui a...

Dans sa version originale pour voix mixtes, The Gallant Weaver de MacMillan est devenu un favori ; cet arrangement étend maintenant la mise en scène aux voix supérieures. Paul Spicer commente : "Cette...

The fragmented nature of the poetry is reflected in the many small musical sections. (3:00)

This arrangement explores the Caribbean sty;e known as 'Afro-Cuban': independent melodic lines with strong rhythmic pulses are superimposed to build up textures that are both rich and translucent. Eve...

This fleet-footed setting of a medieval French folksong is packed with energy and self-assurance. Sure to please!

Adapted from a traditional African-American chant, this is – in the composer's words – a “soulful piledriver with a monster backbeat. ” Plentiful but manageable divisi writing...

This is a highly emotional and powerful piece for women's choir. Composer Boerger asks the chorus to produce the sound of bereavement when it first strikes. A total commitment to the emotions as maste...

By choosing to set this text, which speaks of charity and the love of God, for treble voices, Douglas Pew seeks to create images of celestial bodies and celestial spheres where this type of sacred lov...

Munoera' (Sanctus) is part of the Shona Mass, an original work composed in the spirit of music heard at the Episcopal Cathedral in Harare, Zimbabwe. The text is a combination of Shona and liturgical L...

Lee Kesselman has created a stunning fanfare-like concert opener of short duration, specifically intended for the Allegro Con Brio's (Kansas City area) tour to Italy. Non-pitched bells are added to an...

Taking advantage of the ancient and at the same time relevant musical style we know as Chant, Stephen Hatfiled has created a Funky, rhythmic, modern look at musical styles and how reality and the digi...

Commissioned by the 2012 ACDA Women's Choir R&S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.' One long, rhythmi...

Written for the Wheaton College Christmas Festival, this work with a text by Christian mystic, Hildegard of Bingen, should feel very free, personal and almost improvisational. The close harmony requir...

This folk song arrangement expresses the dispersed Jewish community's hope for reunion 'next year in Jerusalem.” It is comprised of two distinct sections: a newly-composed, sorrowful theme, express...

Written in a Foundation for Small Voices song-writing workshop hosted by the Cincinnati Children's Choir, the student's message is loud and clear - 'Whatever your journey, whatever your beliefs, whate...

The title of Ain't That News is a tribute to the superb Staple Singers, who dang a piece by that name, not otherwise quoted in this chart. The opening seven measures are an adaptation of an old Paul R...