Chœur et Chant

The Dream Of Gerontius was composed in 1900 for the Birmingham Music Festival. It was a large-scale work for chorus, soloists and orchestra, setting a poem by Cardinal John Henry Newman. The section o...

The Splendour Falls and the other songs from The Princess were written for a performance of tableaux from The Princess by the girls of James Allen Girls' School in London, where Holst taught. The song...

The intertwining of women's voices in Gustav Holst's Tears, Idle Tears will lend an elevated atmosphere to any performance, giving this secular piece an almost sacred character. It was written for aca...

For Upper Voices (SSA) and Piano. Text: Richard H. Barham.

For Upper Voices (SSA) and Piano. Text: Longfellow.

For Upper Voices (SSA) and Piano. Old Gaelic Melody (Bealach Na Gharridh) with translated words by Mrs Grant from Alex Campbell's collection (1816).

Looke Downe, O Lord' arranged for Soprano and Alto voices.

For SSA Chorus and Piano.

For SSA Choir.

For Upper Voices (SSA) and Piano.

Gustav Holst's Assemble All Ye Maidens Op. 44 No. 7 for SSA with Piano accompaniment, with words by Robert Bridges.

Version for Upper Voices and accompaniment.

The Crab-Fish is No. 4 of Four Somerset Folk-songs, collected by Cecil Sharp, and arranged here for SSA Choir with Piano accompaniment by Imogen Holst.