Thomas Daniel Schlee
3 Peèmes op. 66
pour baryton et piano
Thomas Daniel Schlee
3 Peèmes op. 66
pour baryton et piano
- Formation Voix moyenne et Piano
- Compositeur Thomas Daniel Schlee
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Niveau de difficulté
- Édition Partition vocale
- Maison d’Édition Bärenreiter Verlag
- N ° de commande BA11053
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Description:
Three poems by the French lyricist Louis Amade, known for his texts for Edith Piaf and Gilbert Bécaud, form the basis for a series of pictograms of human emotional states. While keeping to singeable melodies the music explores multifaceted shades of moods.
I.: The opening movement is reserved for the piano; the initially earnest, solitary cantilena intensifies creating expectation. Suddenly
II.: the violin sounds. Its moving figures replace the now silent piano, also soloistically.
III. 'Passacaglia': The title is taken literally - the two instruments/persons encounter each other in the street. Two musical characters who meet at a specific point, recognize each other, but move on again, each one by itself.
IV. 'Rondo': The two of them dance together. Before me, I saw people dancing the Sardana - a round dance - in front of the cathedral of Barcelona. Four themes in different time signatures circle ceaselessly between the two instruments.
V. 'Fuga': At last, regardless, panic flight - again the title is taken literally ... Human, only too human …
I.: The opening movement is reserved for the piano; the initially earnest, solitary cantilena intensifies creating expectation. Suddenly
II.: the violin sounds. Its moving figures replace the now silent piano, also soloistically.
III. 'Passacaglia': The title is taken literally - the two instruments/persons encounter each other in the street. Two musical characters who meet at a specific point, recognize each other, but move on again, each one by itself.
IV. 'Rondo': The two of them dance together. Before me, I saw people dancing the Sardana - a round dance - in front of the cathedral of Barcelona. Four themes in different time signatures circle ceaselessly between the two instruments.
V. 'Fuga': At last, regardless, panic flight - again the title is taken literally ... Human, only too human …
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I. Moi qui sais te devoir
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II. O toi, mon compagnon d'hier
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III. Les Bras chargés de Roses
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Informations du Fabricant:
Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG
Heinrich-Schütz-Allee 35-37
34131
Kassel
Deutschland
Produits liés:
- Voix moyenne et Piano
- Partition vocale à télécharger
- Bärenreiter Verlag
-
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