Big Band pour les professionnels

Frank Mantooth, nommé trois fois aux Grammy Awards, a donné à ce vieux standard un traitement swing frais et direct. Parmi les points forts, un soli de saxophone (avec option trompette 4) qui est vrai...

David Liebman Series. Comp. by David; arr. by Andrew Rathbun. Originally recorded with Elvin Jones and featured on Lieb's Big Band recording As Always, this arrangement features a variety of challengi...

David Liebman Series. Comp. by David, arr by Arnon Palty. A contrafact based on Softly As In A Morning Sunrise features a woodwind super sax rendition of McCoy Tyners solo on Softly from an early Colt...

Modern, pedal oriented, straight ahead Ballad. This chart is a feature for first tenor. It is a ballad closest in style to the Coltrane quartet's late versions of Body and Soul and Naima. Rhythm secti...

The chart can best be called a driving funky rock feel. The tune is meant to be both happy and yet reflective. There is a little bit of a black church feel in the groove to this tune. Portions of the...

The work begins with a soli statement for the trumpets and then the saxes and then the trombones. The theme is not cast in the form of the blues but the solo section evolves into the blues.The backgro...

Commissioned by The Noteables (US Air Force Jazz Band), 'Drop Down' is an uptempo bebop big band tune that, while sounding familiar, is wholly original. This song features solos for trumpet and guitar...

Crackin'is an exciting and challenging medium tempo shuffle (132+=BPM) for big band, based on the jazz blues progression, in B-flat, featuring the jazz organ (a synthesizer that has an organ sound/pat...

Dedicated to the people of Japan. This programmatic work has four sections. 1. To represent the Earthquake of March 11, 2011; an introduction using a kumoi scale first as a solo flute section, then fe...

This is a combination modern straight ahead and funky cross-stick groove piece. Solos for trombone 1 and alto 1. The send off to the alto solo features a full band soli with a texture reminiscent of M...

Ambidextrosity is a medium-up bop tune featuring a Three-in-one-esque frontline of Flugel, Bari Sax, and Bass. There are plenty of intricate ensemble passages and solo space for the three featured ins...

Romp is a medium-tempo bluesy waltz in Bb. Features full chorus of bass solo with backgrounds after the head statement - easy changes, but your bass player must be a strong soloist. Saxophones follow...

If you are looking for a 10 piece record copy of Frank Foster's Shiny Stockings, this is it! The trumpet goes to a written D above the staff. Arranged for Alto, Tenor, Bari, 2 Trumpets, Trombone, Guit...

This is based on the Disney tune of a similar name but is a driving up-tempo jazz chart. Featuring some collective improvisational moments in the head, it also has some simultaneous soloing by two pla...

AS RECORDED BY HELEN FORREST WITH HARRY JAMES TRANSCRIBED AND ADAPTED BY MIKE HENEBRY Recorded in 1942, this classic Harry James ballad featured singer Helen Forrest. The arrangement is very 'modern'...

Evensong is beautiful and pensive ballad in 3/4 featuring baritone saxophone and flugelhorn. After a statement of the lyrical melody from bari and flugel, ample solo space is given to baritone saxopho...

Written for trombonist Andy Martin and the San Jose State University Jazz Orchestra, Emergence is a beautiful, lyrical ballad that features your trombone soloist. The melody ispresented primarily in t...

After the Rain is a beautiful ballad with an outstretched melody that blurs bar lines and floats, leaving the listener suspended in a dreamy soundscape. An advanced tenor sax soloist will really dig i...

This blues is a great introduction to second line for a high school big band. It alternates between a New Orleans groove and swing. The melody is a simple riff blues, but the regular blues chords have...

Medium Swing Blues. The tune begins with an open C Blues section for piano or guitar a la the Basie Band. The melody has been harmonized with a number of substitutions rather than the standard blues h...

Bright boogaloo straight 1/8th. (Lusaka is the capital city of Zambia) This is feature for Alto and Baritone sax. The solo sections are centered around G7sus (concert) and Bb7. It can get as funky as...

This medium straight-ahead chart is based on the chord progression of Autumn Leaves. The harmonies and voicing's have a Gil Evans-ish flavor with solo space for tenor & trombone, although additional s...

Room 509 is a modern straight-ahead chart that presents a collision of styles broken straight ahead feel and funky hip-hop. The head is challenging but accessible by strong players including rhythm se...

This is a funk tune based on an 8 bar chordal devise with a 'nod' to Randy Brecker. The opening starts with just the sax section. As the chart builds the rhythm section is added, followed by the brass...

Opens with a Gospel flavored, harmonized sax soli. Then moves into a toe-tapping New Orleans style second line ensemble. Open section for all to solo. Big ensemble. 1st tpt. top note F top of staff. S...