Big Band pour les professionnels

Recorded by Count Basie as a feature for two trombones, Sammy's updated revision now features four trombones out front and a strong ensemble chorus. Rhythm section parts are partially notated with cho...

This bright jazz style chart for advanced groups was recorded by the SWR Big Band on the CD Fun Time, and requires a trumpet section that can play with delicacy and power. Solo work for trumpet and pi...

This bright jazz style chart was recorded by the SWR Big Band on the CD Fun Time, and requires a trumpet section with both delicacy and power. This piece contains solo work for trumpet and piano, alon...

This tenor sax feature requires the background volume to stay comfortable under the soloist. Save the volume for measure 28, and also the big build up at measure 49 to make for an interesting ending....

As recorded by the Thad Jones-Mel Lewis Orchestra on their Consummation album, this speedy bebop classic is a fabulous showcase for just about any number of soloists. A fully-voiced sax soli, rousing...

As recorded by the Thad Jones-Mel Lewis Orchestra on their Consummation album, this speedy bebop classic is a fabulous showcase for just about any number of soloists. A fully-voiced sax soli, rousing...

As recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on the album Road Time, this feature for solo flute includes solo room for alto sax and piano as well. By contrasting a series of transparent,...

Originally featured on the Yellowjackets' Altered State CD, this big band version was commissioned by East Carolina University and is scheduled to appear on an upcoming Bob Mintzer Big Band CD. Elemen...

Ce classique d'Ella Fitzgerald est une transcription fidèle de sa version et n'a rien à voir avec la version instrumentale de Les Brown / Skippy Martin. Nous avons même écrit la ligne vocale d'Ella po...

Corner Pocket a été écrit par le héros méconnu du groupe Count Basie, Freddie Green, et son titre fait référence à l'endroit que Green appelait le sien - le coin de la section rythmique. Nous avons tr...

This chart is a sensational version of the old standard, all dressed up with a new look only Holman could create. Lots of counterpoint (surprise!). Humorous and clever. Solo space for trumpet, alto sa...

Holman really gets into his imitative writing with this chart. Solo space for drums, trumpet and alto. 1st trpt. does not go higher than a written D#. Great writing....great chart! 5-4-4-4

This chart was recorded by the Count Basie Orchestra on the CD 'I Told You So.' It is a feature for your drummer. It also has solo space for tenor saxophone and piano (a la Basie). This rip-roaring ch...

Exactly as recorded on the View From the Side CD, this wonderful chart was written for Pete Christlieb to be featured on tenor saxophone. It is a tenor feature throughout. Lots of blowing space for yo...

A monumental piece of big band jazz. This was written for Les' fantastic Chicago band. It is an extensive work (about 12 minutes) which features trumpet (or flugelhorn) throughout in various settings...

As the title implies, this chart does not rest for a moment. It moves from one tempo to another, doubling up and then doubling in tempo again. Needless to say, Stop/Go is an exciting excursion into th...

The finale to this wonderful suite is set at a fast pace, with a great theme (unison trombones and tenors to start) and lots of solo spaces for tenor sax, trumpet and drums. Holman really out does him...

This is a magnificent, three-movement work which, when written, redefined big band scoring. It has been published in such a way that any one of a number of soloists could be featured throughout .........

This chart is a blast! It is one of the more popular charts from Maynard's Birdland Dream Band. It is a high-energy chart which features baritone sax, as well as trumpet. You need a lot of 'horses' in...

A dramatic setting of three American songs.... from the National Anthems of the World LP. Ends with a glorious rendition of America the Beautiful. 5-5-5-3 (condensed score)

Many think that Standards in Silhouette was the most beautiful ballad album (available on CD from Sierra Music) ever recorded by the Kenton Band. This chart is the fourth one (along with Ill Wind, The...

Bill Mathieu's arrangements, done for the Stan Kenton Orchestra, were some of the most beautiful pieces ever recorded by that band. This is a splendid rendition of a great standard. It contains all of...

requires Flute and Tuba

The Stan Kenton Orchestra was always ahead of its time! This chart was based on the music of Blood Sweat and Tears. It is a trombone feature throughout and is a wild and very exciting rock/fusion char...