Big Band pour avancés

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

The lush harmonies and flowing melody of this Ellington favorite are set in a medium samba style in this creative arrangement that takes full advantage of the six-horn format. In addition to full ense...

This familiar tune from the 1930s has become a favorite with jazzers over the years. Here's a wonderfully crafted arrangement in the six-horn format that starts out as a relaxed jazz samba, then moves...

From Dizzy Gillespie's Afro-Cuban stylistic period, here is his delightfully infectious Fiesta Mojo set in a bouncy medium samba groove. A small group starts things off (including optional flute) supp...

Recorded in the mid 1950s and also known as 'Trane's Blues, ' this jazz classic is credited to Miles Davis but reportedly penned by John Coltrane. Regardless, Michael Mossman's refreshing version craf...

Based on Michael Mossman's arrangement recorded by Tito Puente (on Special Delivery) here is Gerry Mulligan's jazz standard set in a simmering mambo style for Little Big Band. The entire ensemble gets...

Recorded by the acclaimed Cannonball Adderley Quintet in the 1960s, 'Jive Samba' became one of Nat Adderley's best-known standards. Arranged here for little big band and in a moderate cha-cha style, t...

Originally composed by Mark Taylor four decades earlier, Love Beams proves its staying power with a new recording on Mark's big band CD To the Edge. With its easy going bossa style and gently flowing...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

This Calypso flavored composition from Sonny Rollins may not be as well-known as his St. Thomas, however Duke of Iron is a distinctive and marvelous tune on its own. Featuring the two tenor saxes and...

This American popular song is a must know in the jazz standard repertoire. Arranged here in a smooth samba groove, Mike Tomaro takes full advantage of the six horn format. Includes flexible solo space...

This well-known Cuban song has been recorded by countless artists through the years, and receives a standout contemporary setting for full jazz ensemble from Latin master Michael Mossman. Arranged in...

Composed by jazz master Dizzy Gillespie, and arranged here by Latin master Michael Mossman, this appealing chart features a comfortable cha-cha groove, a distinctive harmonic progression, and a tunefu...

With a hip arrangement that keeps the original flavor, John Berry has created a real crowd pleaser. Guaranteed fun!

Composer/arranger Alan Baylock delivers an inspired Afro-Cuban 12/8 groove to feature the lead alto sax with solo space. The melody is played by alto sax and trumpet. Lead trumpet range is to high D w...

If you want Latin excitement, then this is it. Victor Lopez does it right with Jona Jam which has the melody stated by tenor and trumpet with solos for both, fierce trombone soli, and all the Latin mo...

A show-stopping Latin tune! Latin jazz at its best with excitement from the first note, sax solis, a melody line by tenor and trumpet, solo space for tenor, trumpet, and trombone, lead trumpet range t...

A straight-eighth Latin groove with a Chick Corea flavor! This powerful and creative chart has plenty of activity for all players. Features include a soprano sax lead (alternate alto 1 part provided),...

A wonderful tune with a rich texture and voicings. This is a solo vehicle for C, B-flat, E-flat or bass clef instruments with all parts included - especially ideal for flute or vibes. Bossa nova tempo...

From the 2006 David Benoit CD “Full Circle,” here is the lead-off tune in a marvelous adaptation for jazz ensemble. Mike Tomaro stays true to the lively Latin style of the original while providing sol...

Ce morceau est écrit dans un contexte de samba rapide, avec la flûte, la trompette et la guitare en tête. Un solo de batterie ouvert et une fin très rythmée permettent à ce morceau de rester dans le c...

Ecrit pour flûte et piccolo ou sax alto en option, ce morceau comporte de nombreuses percussions en option pour renforcer le style bossa. Cuica, triangle, cloche à vache et shaker peuvent être ajoutés...

Ecrit pour flûte et piccolo ou sax alto en option, ce morceau comporte de nombreuses percussions en option pour renforcer le style bossa. Cuica, triangle, cloche à vache et shaker peuvent être ajoutés...