Partitions pour Big Band

A Latin cha-cha groove for your young band! Easy to rehearse and perform successfully, with an auxiliary percussion part, no solos, and very easy brass ranges. Optional parts included for two clarinet...

Here's a bossa that is just right for the young band. Played around 136 BPM, it has a catchy melody with great harmonies; easy brass ranges; and optional parts for flute, clarinet, and vibraphone.

Here's a bossa that is just right for the young band. Played around 136 BPM, it has a catchy melody with great harmonies; easy brass ranges; and optional parts for flute, clarinet, and vibraphone.

Here's a bossa that is just right for the young band. Played around 136 BPM, it has a catchy melody with great harmonies; easy brass ranges; and optional parts for flute, clarinet, and vibraphone.

A medium tempo Latin with a bit of swing feel, played around 150 BPM. The opening statement is played by tenor 1 and trumpet 1 with written-out suggested solos for each. Trumpet 1 range is to written...

The familiar Jamaican folk song in a Calypso groove is very accessible for young bands. No individual solos and easy trumpet 1 range to written D fourth line. Reduced instrumentation and flexible opti...

The familiar Jamaican folk song in a Calypso groove is very accessible for young bands. No individual solos and easy trumpet 1 range to written D fourth line. Reduced instrumentation and flexible opti...

Finally an easy version of this classic! Played with a swing feel around 144 BPM with a written-out alto solo, trumpet 1 range to written F top line, this easy to play crowd pleaser will be a hit. It'...

Finally an easy version of this classic! Played with a swing feel around 144 BPM with a written-out alto solo, trumpet 1 range to written F top line, this easy to play crowd pleaser will be a hit. It'...

Finally an easy version of this classic! Played with a swing feel around 144 BPM with a written-out alto solo, trumpet 1 range to written F top line, this easy to play crowd pleaser will be a hit. It'...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Treated as a Latin cha-cha, played around 150 BPM, The Cool One arranged by Erik Morales is aptly titled - a totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to writt...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

This jazz standard is typically a jazz waltz, but this superb chart has a very hip Latin-pardido feel in 4/4. Tempo is half note around 77 BPM, with solo opportunities, tenor 1 and trumpet 2 with sugg...

This jazz standard is typically a jazz waltz, but this superb chart has a very hip Latin-pardido feel in 4/4. Tempo is half note around 77 BPM, with solo opportunities, tenor 1 and trumpet 2 with sugg...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Candombe (groove 4/4 uruguayen), aka Second Line Groove Durée env. 5 min Un groove rarement joué du carnaval uruguayen, un thème bluesy et lunaire et un solo de saxophone croustillant mettent un souri...

Candombe (groove 4/4 uruguayen), aka Second Line Groove Durée env. 5 min Un groove rarement joué du carnaval uruguayen, un thème bluesy et lunaire et un solo de saxophone croustillant mettent un souri...

Aus der Reihe 'Bernaerts Light Pieces'.

Aus der Reihe 'Bernaerts Light Pieces'.

Trumpet or Flugelhorn Solo (light pieces)