Partitions pour big bands

Finally an easy version of this classic! Played with a swing feel around 144 BPM with a written-out alto solo, trumpet 1 range to written F top line, this easy to play crowd pleaser will be a hit. It'...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Treated as a Latin cha-cha, played around 150 BPM, The Cool One arranged by Erik Morales is aptly titled - a totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to writt...

Treated as a Latin cha-cha, played around 150 BPM, aptly titles, totally cool chart. Solos provided for alto 1 and trumpet 2, trumpet 1 range is up to written F-sharp top line. Excellent writing plus...

Ce standard du jazz est typiquement une valse, mais ce superbe morceau a un aspect latin-pardido très branché en 4/4. Le tempo est en demi-note, autour de 77 BPM, avec des possibilités de solo, ténor...

This jazz standard is typically a jazz waltz, but this superb chart has a very hip Latin-pardido feel in 4/4. Tempo is half note around 77 BPM, with solo opportunities, tenor 1 and trumpet 2 with sugg...

Ce standard du jazz est typiquement une valse, mais ce superbe morceau a un aspect latin-pardido très branché en 4/4. Le tempo est en demi-note, autour de 77 BPM, avec des possibilités de solo, ténor...

This jazz standard is typically a jazz waltz, but this superb chart has a very hip Latin-pardido feel in 4/4. Tempo is half note around 77 BPM, with solo opportunities, tenor 1 and trumpet 2 with sugg...

A great standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombo...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Curacao Blue' by Zachary Smith has a Latin groove with an easy bossa rhythmic pattern. Features a tempo around 134 BPM, trumpet 1 range to written E top space, a written tenor solo, clear articulation...

Candombe (groove 4/4 uruguayen), aka Second Line Groove Durée env. 5 min Un groove rarement joué du carnaval uruguayen, un thème bluesy et lunaire et un solo de saxophone croustillant mettent un souri...

Candombe (groove 4/4 uruguayen), aka Second Line Groove Durée env. 5 min Un groove rarement joué du carnaval uruguayen, un thème bluesy et lunaire et un solo de saxophone croustillant mettent un souri...

Aus der Reihe 'Bernaerts Light Pieces'.

Aus der Reihe 'Bernaerts Light Pieces'.

Trumpet or Flugelhorn Solo (light pieces)

Besame Mucho - diese weltbekannte Ballade gibt es hier bei Classen-Music in einer wunderbaren Fassung für Big Band mit Gesang. Der Arrangeur Markus Fritsch hat sich mit seinem Arrangement am Rhumba-St...

Ary Barroso komponierte hunderte von Sambas - eine davon war Aquarela do Brazil. Die Samba ist für Ihre Big Band-Besetzung optimal!

Diese Arrangement ist spielbar als: 1. Vocalversion ohne Samba; 2. Vocalversion mit Samba; 3. Instrumentalversion. Standard Bigband-Besetzung: 5/4/4/Rhy.

More advanced groups have come to know that Mike Tomaro's name on a piece means that the music is of the highest quality. Now musicians at the medium level can explore Mike's talents as well. This str...