Partitions pour big bands

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...