Partitions pour big bands

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

In this setting for 6 horns and rhythm, Michael Mossman uses a moderate swing style to fashion a classy version of this familiar standard. The scoring style is largely tutti, but with a few unique twi...

Composed in 1963 it wasn't until Frank Sinatra released his iconic version in 1966 that this familiar tune solidified its place in pop culture. In this medium slow version for younger players, John Be...