Partitions pour big bands

Tiré de la comédie musicale à succès Hairspray, voici le numéro de production le plus spectaculaire dans un arrangement dynamique de John Berry. Avec un groove rock rapide et des cuivres percutants, i...

Although composed by Frank Loesser for the musical Guys and Dolls, this tune became a jazz standard largely thanks to the recording by Miles Davis. Sammy Nestico shows that he's still the master of bi...

Although composed by Frank Loesser for the musical Guys and Dolls, this tune became a jazz standard largely thanks to the recording by Miles Davis. Sammy Nestico shows that he's still the master of bi...

One of the signature songs from the musical Oliver, this tune offers a wealth of opportunities for melodic and harmonic development. Adapted here as a samba, Mark Taylor's powerful arrangement opens w...

One of the signature songs from the musical Oliver, this tune offers a wealth of opportunities for melodic and harmonic development. Adapted here as a samba, Mark Taylor's powerful arrangement opens w...

Arranged here in a light rock style, this timeless song from the hit musical Annie is sure to bring a smile. Perfectly scored to sound great, and a natural choice for vocalist.

From the hit musical Grease, this up-tempo rocker is featured in one of the show's most exciting dance scenes. Jerry's version for younger groups is skillfully done and sure to be a hit.

From the musical Grease, this easy arrangement of one of the main songs is perfect for casual concerts and impressing the parents. The moderate rock style plus easy rhythmic patterns insure success wi...

Irving Berlin's upbeat show tune reached new heights of popularity with its appearance in Mel Brooks' movie (and new Broadway show) Young Frankenstein. Always an audience favorite, this solid swing ar...

For vocal soloists it doesn't get any better than this all-time favorite from the '40s. Jerry's medium slow swing version is in a great range and features very effective background ensemble writing. S...

Une superbe chanson de Gershwin pour votre chanteuse. La tessiture de la voix va du sol au-dessous du do moyen jusqu'au si bémol de la troisième ligne. La tessiture de la trompette solo va jusqu'au si...