Partitions pour big bands

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

This funk classic was originally recorded by Otis Redding back in the '60s and was later covered by The Black Crowes. Playable by younger groups, Paul Murtha's chart still has the fire and energy of t...

This funk classic was originally recorded by Otis Redding back in the '60s and was later covered by The Black Crowes. Playable by younger groups, Paul Murtha's chart still has the fire and energy of t...

This funk classic was originally recorded by Otis Redding back in the '60s and was later covered by The Black Crowes. Playable by younger groups, Paul Murtha's chart still has the fire and energy of t...

This funk classic was originally recorded by Otis Redding back in the '60s and was later covered by The Black Crowes. Playable by younger groups, Paul Murtha's chart still has the fire and energy of t...

This funk classic was originally recorded by Otis Redding back in the '60s and was later covered by The Black Crowes. Playable by younger groups, Paul Murtha's chart still has the fire and energy of t...

This funk classic was originally recorded by Otis Redding back in the '60s and was later covered by The Black Crowes. Playable by younger groups, Paul Murtha's chart still has the fire and energy of t...