Partitions pour big bands

Cette mélodie décontractée de style Bossa/Rock permettra à vos jeunes musiciens de s'amuser tout en améliorant leurs compétences en Smooth Jazz !

Written to coincide with Shelly Berg's successful Chop-Monster jazz language tutor, the sax duet writing in this blues original pays tribute to legendary big band writer Billy May. Saxes should strive...

Inspired by the music of the great Count Basie Orchestra, this is a perfect vehicle for teaching the swing idiom. It features a riff-based tune, lots of full ensemble work, and blues changes. Sample w...

Here is a great easy level chart for teaching the swing idiom to young players. With an abundance of basic swing figures and articulations, a strong melody, and solid ensemble writing, this chart has...

Emulating the music of Bob Brookmeyer, Maria Schneider and Gil Evans, this creative original opens with a haunting melody played by solo flugelhorn before the burning swing groove kicks in. Solo choru...

Commissioned by the Jazz Division of the Illinois Music Educators Association for the 2012 Illinois All State Jazz Ensemble, this is Chris Madsen's first chart for Doug Beach Music. A great change of...

This beautiful folkish chart in an even-eighth note ECM style features diatonic melodies over lush chord voicings. The tenor and piano solo can be played as written or ad lib. A guitar chord chart by...

Following up on the popularity of the composer's baseball-inspired big band chart, Double Play, this shuffle opens with an ad lib solo for piano and grooves from start to finish. A stop-time section g...

The swingin' unison vocal featuring all wind players is the definite highlight in this easy-level vintage arrangement of 1955! Both before and after that rousing chorus, sax and brass solis and strong...

Tickle Toe est un véritable morceau de saxophone ténor. Rien d'étonnant à cela, puisqu'il a été écrit par Lester Young ! Ce morceau, avec l'habituelle combinaison basie de lignes de saxo fluides et de...

In folgender Besetzung (Basis Instrumentation) bereits spielbar: 3 Saxophone, 2 Trompeten, 1 Posaune, Keyboards, E-Bass, Drums. Inhalt: 01 Powerplay (Rock) 02 Happy Hour (Swing) 03 Batucada (Mambo) 04...

Le style décontracté de David Benoit est audible dans cette composition à la Jobim sur son CD de 2006 Full Circle. La version de Mark se caractérise par ses harmonies douces et ses lignes fluides dans...

Le style décontracté de David Benoit est audible dans cette composition à la Jobim sur son CD de 2006 Full Circle. La version de Mark se caractérise par ses harmonies douces et ses lignes fluides dans...

Using the trademark samba style that Chick Corea has become known for, here is his composition North Africa in an outstanding interpretation by Mike Tomaro. The opening section features a small group...

This is an orchestration of Clare Fischer's version found on the recording Latin Pattern. The piano introduction is Clare's from the recording Alone Together. The piano then starts the latin groove se...

This breezy calypso features very reasonable brass ranges, written or ad lib solos for trumpet and trombone, and a fully-notated piano part for players with limited jazz experience.

Thad' in a Basie Groove.

Enregistré par Chick Corea et Origin sur le CD Change, Chick paie tribut avec ce blues modal en tempo médium à l'ère du hard bop et à Miles Davis en particulier. La version de Mark Taylor pour de jeun...

Enregistré par Chick Corea et Origin sur le CD Change, Chick paie tribut avec ce blues modal en tempo médium à l'ère du hard bop et à Miles Davis en particulier. La version de Mark Taylor pour de jeun...

This new version offers the excitement of the original professional level Phil Collins Big Band chart, but with 1st trumpet no higher than B and 1st trombone no higher than G. From the album 'A Hot Ni...

Victor Feldman tune, recorded by Miles Davis on several occasions. The tune lends itself nicely to the big band instrumentation. Harmonically and rhythmically challenging arrangement, with rapid harmo...

Maria Schneider's music has been hailed by critics as evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization. She and her orchestra became widely known starting in 1994 whe...