Partitions pour Big Band

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

Written in Kendor Konvertible format, this medium easy original is set in a straight eighth note feel, built around a series of rhythms and chord changes that keep repeating throughout the chart - hen...

Relaxed cool jazz feel.

Experience the exhilarating soundscape of "Minuano (Six-Eight)", a timeless masterpiece of the modern jazz repertoire, published by Sierra Music Publications. This extraordinary piece for big band cap...

An off-beat groovy modern/contemporary 4/4 composition featuring a duo-solo between trumpet 2 (on flugel horn) and alto 1. The piece also has a piano solo and an interesting development section. The p...

A wonderful straight 1/8th note contemporary composition which starts with an unaccompanied sax soli, employs a few very interesting metric modulations ( i.e. tempo changes), alternates between 3/4 an...

This straight eigth note piece is reminiscent of music that has been released on the ECM label. It begins with a rubato section featuring piano and flugel horn and then falls into a loose bossa. The m...

A 'very intense' medium-up tempo piece with a straight-eighth feel. This chart has a driving rhythm requiring a strong drummer. A small horn grouping (tpt/alto/bari/tbn) presents the theme atop variou...

Contemporary modal piece with a Herbie Hancock flavor. A few meter changes (6/4 and 5/4) will keep you honest, although most of the piece is in four. Flugel/guitar or vibraphone play the head. Soprano...

Style: Fusion. Instrumentation: 5 Saxes: 1 Soprano sax and Flute, 2 Alto Sax and Flute, 3 Tenor and Soprano sax, 4 Tenor and Flute, 5 Bari (no doubles). 5 trumpets (5th on Flugelhorn). 5 Trombones,Gui...