Tarik O'Regan

Tarik O'Regan's The Night's Untruth for SATB chorus, Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of...

Tarik O'Regan's The Night's Untruth for SATB chorus, Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40thanniversary of V...

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Written for SSAA choir, with soloists, vibraphone and electric bass guitar.

Written for SSAA choir, with soloists, vibraphone and bass guitar.

Now Fatal Change by Tarik O'Regan. 5 short duets for countertenor and violin. First performance by Ryland Angel and Lara St John on 28 December 2012, Trinity Wall Street, New York, USA. Duration: ca....

A Letter Of Rights is a work by Tarik O'Regan, a Cantata for SATB Chorus, Strings and Percussion. Commissioned by Salisbury Cathedral to mark the 800th anniversary of the Magna Carta, it received its...

An unusual setting of the Magnificat And Nunc Dimittis by Tarik O'Regan, written for a double chorus with Cello or Soprano Saxophone. The works were commissioned separately by Timothy Brown for the Ch...

The Ecstasies Above, commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music, was premièred by Yale Schola Cantorum under the direction of Simon Carrin...

The Full Score for Tarik O'Regan 's Blessed Are They. Commissioned in honour of Raymond and Elizabeth Chenault for their 38 years of service as Organists and Choirmasters of All Saints' Episcopal Chur...

The String Quintet Parts for Tarik O'Regan 's Blessed Are They. Commissioned in honour of Raymond and Elizabeth Chenault for their 38 years of service as Organists and Choirmasters of All Saints' Epis...

The Dorchester Canticles were commissioned by the Bournemouth Sinfonietta Choir, with funds from Arts Council England. Received its première in St Mary's Church, Dorchester in a performance on 22nd Ma...

The organ is played from the vocal score.

Counter-Tenor/Tenor/Harp Darkness Visible interlaces two texts born of the Commonwealth of England (1649-1660). John Milton, who had been in the service of the Parliamentary cause, and Henry Vaughan,...

Rakugo, or 'fallen words', is a traditional form of Japanese entertainment performed by a lone, seated storyteller (rakugoka) with very few props, if any at all. The complications of each story - its...

Tarik writes: The word colimaçon is French for the spiral form of a snail's shell and is most commonly found in the form, escalier en colimaçon, meaning a spiral staircase. Having first come across th...

Postlude is taken from the larger work, Threshold of Light, for SATB chorus, brass quintet and organ, commissioned by the Memorial Church at Harvard University in celebration of its 75th anniversary.

I sleep, but my heart waketh was commissioned by the National Youth Choir of Great Britain and premiered by them in a concert at Manchester's Bridgewater Hall directed by Michael Brewer on 15th April,...

A solemn prayer setting for Candlemas, from Sequence For St. Wulfstan. Commissioned by the choir of St. Mary's Episcopal Cathedral, Edinburgh and first performed in February 2005.

The SATB version from O'Regan's 'Triptych'.