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Samuel Applebaum

The Third and Fifth Position String Builder is to be used after Book 3 of the Belwin String Builder. However, it may also be used as a continuation of any the standard string class methods. In this bo...

The Third and Fifth Position String Builder is to be used after Book 3 of the Belwin String Builder. However, it may also be used as a continuation of any the standard string class methods. In this bo...

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The Third and Fifth Position String Builder is to be used after Book 3 of the Belwin String Builder. However, it may also be used as a continuation of any the standard string class methods. In this bo...

The Third and Fifth Position String Builder is to be used after Book 3 of the Belwin String Builder. However, it may also be used as a continuation of any the standard string class methods. In this bo...

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The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard strin...

The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard strin...

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The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard strin...

The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard strin...

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The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard strin...

The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard strin...

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First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder....

First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder....

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First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder....

First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder....

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First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder....

First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder....

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First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder....

First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder....

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The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

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The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

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The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

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The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

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The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

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The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

The pieces in this book have been selected for their musical and technical value. They have been carefully transcribed and edited to create interest in technical development and in general musicianshi...

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A collection of pieces that were selected for their melodic beauty and architectural simplicity, making them easy to learn by rote. These pieces may be used in conjuction with the Belwin String Builde...

A collection of pieces that were selected for their melodic beauty and architectural simplicity, making them easy to learn by rote. These pieces may be used in conjuction with the Belwin String Builde...

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A collection of exercises, for Violin, composed by Samuel Applebaum.

A collection of exercises, for Violin, composed by Samuel Applebaum.

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A collection of exercises, for Viola, composed by Samuel Applebaum.

A collection of exercises, for Viola, composed by Samuel Applebaum.

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A collection of pieces, for Cello that were selected for their melodic beauty and architectural simplicity, making them easy to learn by rote. They may be played as solos with piano accompaniment or p...

A collection of pieces, for Cello that were selected for their melodic beauty and architectural simplicity, making them easy to learn by rote. They may be played as solos with piano accompaniment or p...

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A collection of exercises for String Bass, composed by Samuel Applebaum.

A collection of exercises for String Bass, composed by Samuel Applebaum.

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The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

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The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

  • Duo à cordes
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The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

  • Duo à cordes
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The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and...

  • Duo à cordes
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This Chamber Music book is to be started when the pupil reaches page 24 of the Samuel Applebaum String Method. However, it can be used in conjunction with any good string method. Published for two vio...

This Chamber Music book is to be started when the pupil reaches page 24 of the Samuel Applebaum String Method. However, it can be used in conjunction with any good string method. Published for two vio...

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