Sammy Cahn

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...