P. D. Q. Bach

Arranged by Peter Schickele. For Bassoon, Piano. Classical. Part. S. 888. 14 pages. Duration 9:00.

Egad! Somehow, the Et Exspecto solo from P.D.Q. Bach's suspect opera Hansel and Gretel and Ted and Alice - thankfully restricted to supervised rental status - has leaked out to the public sphere! The...

For Bargain Counter Tenor and Keyboard S 99.44

A Half-Act Opera (Vocal Score) S 86 proof

More madcap monody from the miscreant master of mangled masterpoeces of mirthful mockey. A hair- raising musical experience. For colleges,conservatories, studios, amateur and professional performance.

Twelve perfectly ridiculous songs in a variety of duets and solos, each about one of sts signs of the Zodiac. Not since the days of Copernicus and Galileo has our perception of the heavens been so rad...

For S.A.T.B. Chorus, Soprano, Mezzo-Soprano, Tenor and Baritone Soloists, a S 100

From A Consort Of Choral Christmas Carols

For Chorus, with Piano, Five Hands S 2/4/2008

S.A.T.B., With Piano, Five Hands S 2/4/2008 NP

Edited by Peter Schickele. Arranged by Peter Schickele. Mixed chorus. For Soprano I, Soprano II, Alto Solo, Tenor, Bass, Piano. Liebeslieder Polkas S. 2/4. Choral. Choral Part(s). S. 2/4. 5 pages. Dur...

S.A.T.B., with Piano, Five Hands S 2/4/2008

Edited by Peter Schickele. Arranged by Peter Schickele. SATB chorus. For SATB, Piano I, Piano II. Choral. Piano/Vocal Score. S 2/4/2008. 14 pages. Duration 2:00.

Choral Cantata S 4/1/2008

For Mezzanine-Soprano, Devious Instruments, and Piano S 4

From Two Madrigals From The Triumphs Of Thusnelda S 1601

Edited by Peter Schickele. Arranged by Peter Schickele. SATB chorus. For SATB, Piano I, Piano II. Liebeslieder Polkas for Chorus, with Piano, Five Hands. Choral. Piano/Vocal Score. S 2/4/2008. 11 page...

S.A.T.B., With Piano, Five Hands S 2/4/2008 NP

S.A.T.B., With Piano, Five Hands S 2/4/2008 NP

S 1000

Pour orchestre d'harmonie S 39.

Pour orchestre d'harmonie Onesy Twosy

For Piano, Four Hands S 1+1

The editor speculates that these three gem-like studies... were written for the composer's own use... something that he could get through himself without resorting to singing instead of playing the fa...

For Piano, Two Hands S 14