Johann Sebastian Bach

This is a beautiful arrangment for piano of Bach's Fugue in G minor (BWV 578), originally for organ, by Norah Drewett de Kresz (1882-1960). Offprinted from OUP's collection Bach Transcriptions for Pia...

Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...

Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this magnificent fugue is popularly credited to J. S. Bach, though some eighteenth-century sources ascribe it to his pupil Jo...

This work was awarded the British Composer Award for Liturgical Music in 2003, but is published for the first time in 2013. The Roman Catholic Liturgy includes an antiphon to the Magnificat at Vespers...

From the collection Bach Transcriptions for Organ, in its original form the trio texture of this Largo is very similar to the slow movements of the organ trio sonatas. The violin lines from the trio s...

This reminiscent piece, originally from Three Children's Songs, has been arranged for mixed choir and suits a spring-time programme. Offprinted from Vaughan Williams for Choirs 2.

The music and style of d'Este's compositions are skilful in the art of polyphonic writing and the beautiful Sicut lilium inter spinas, written for five voices, is a fine example of this style.

Here Helvey has created a beautiful musical landscape for George Herbert's tender poem 'Virtue'. Each verse begins with a modal-sounding unison figure which flowers into expressive harmonies built on...

Originally published in Bach Transcriptions for Organ, this dignified Sarabande taken from BWV 812 is rich in expressive dissonances. An ancient Spanish dance, the Sarabande was the usual slow movemen...

This Christmas miniature sets the popular Latin text rejoicing in the birth of the Saviour. A 'vivace' tempo marking and offset rhythms combine with Pott's uniquely striking harmonies and undulating p...

From the well known cello suite, this piece has the first violins playing the melody throughout, with all other parts interesting, but playable. Suitable for advanced elementary or early high school.

From the well known cello suite, this piece has the first violins playing the melody throughout, with all other parts interesting, but playable. Suitable for advanced elementary or early high school.

Neben der h-Moll-Messe existieren von Bach bekanntlich vier weitere, kleinere Messkompositionen, die sog. Lutherischen oder Kyrie-Gloria-Messen. Trotz ihrer hohen musikalischen Qualitäten, stehen sie...

probablement composée durant les dernières années à Leipzig.

Neben der h-Moll-Messe existieren von Bach bekanntlich vier weitere, kleinere Messkompositionen, die sog. Lutherischen oder Kyrie-Gloria-Messen. Trotz ihrer hohen musikalischen Qualitäten, stehen sie...

Coro SATB, 3 Tr, Timp, 2 Ob, 2 Vl, Va, Bc

Lors des grandes fêtes, on entendait de la musique d'église en latin pendant les cultes à Leipzig à l'époque de Bach : Kyrie, Gloria, Sanctus et le Magnificat l'après-midi. Pour cela, on utilisait sou...

The reason for the composition of this work is well-known: Bach's encounter with Frederick the Great and the story of the 'royal theme' which the King of Prussia 'deigned to play' on a pianoforte and...

Les circonstances de la composition de cette œuvre sont connues et ont été maintes fois documentées : la rencontre de Bach avec Frédéric le Grand et l'histoire du 'thème royal' que le roi de Prusse 'd...