Emma Brown

O Nata Lux is a six-part, a cappella motet. The anonymous tenth-century text is suitable for inclusion throughout the liturgical year. Evoking a deep sense of longing, this contemplative motet would e...

Une mise en scène intime et rafraîchissante des Préces et Répons en SATB facile : un ajout bienvenu au répertoire de l'Evensong. Emma écrit : "J'ai abordé le texte comme une prière, en considérant non...

Emma Brown's setting of 'Sweet was the Song', simple yet utterly compelling, captures the Renaissance character of the text while imparting a fresh, modern twist. Suitable for choirs both professional...

These vibrant preces and responses are a refreshing addition to the repertoire for choral evensong. The composer approached the text as prayers, sometimes highlighting exultation, sometimes vulnerabil...

This simple, four-part setting of the introit 'Rorate Caeli' captures both the hope and the intimacy traditionally associated with Advent. With its haunting, cascading phrases, it is a valuable additi...

Inspiration for Emma's choral compositions comes from a variety of sources, including the music of the Orthodox traditions, Gregorian chant and Counter-Reformation polyphony. This short four-part mote...

This simple eight-part setting of a fifteen-century text has a timeless quality and is a fitting addition to the Christmas repertoire. The haunting melody captures the spirit of this ancient text, whi...

Mater tenera, six-part ('tender mother') is an intimate six-part motet which would enhance any Advent or Christmas service or choral programme, and would also be suitable for Marian Feasts. The piece...