Bob Chilcott

In Little Jazz Carols Chilcott brings his choral jazz style to the Christmas season. The hymn-like opening movement, 'Blessed be that Mary', is followed by the ballad 'Balulalow', before the energetic...

SATB & Piano(s) & Percussion/Orchestra. For SATB with one piano (with or without 1 or 2 percussion players), or two pianos (with or without 1 or 2 percussion players), or orchestra (2(1Picc, 2 Fl). 2....

SATB & Piano(s) & Percussion/Orchestra. For SATB with one piano (with or without 1 or 2 percussion players), or two pianos (with or without 1 or 2 percussion players), or orchestra (2(1Picc, 2 Fl). 2....

SATB & Piano(s) & Percussion/Orchestra. For SATB with one piano (with or without 1 or 2 percussion players), or two pianos (with or without 1 or 2 percussion players), or orchestra (2(1Picc, 2 Fl). 2....

This haunting folk melody is brought to life here. Setting 'The Leaves of Life' by G. Bradley, the carol was first performed at the Service of Nine Lessons and Carols at King's College, Cambridge.

For children's choir, mixed choir and orchestra or tubular bells and organ. A dark and beautiful, yet also extremely approachable, work in three movements. The first two are darker in character: eveni...

This beautiful general sacred piece is from the 17th century, text by S. Crossman.

Samba Mass is a joyous setting of the Missa brevis. The stylistic piano part can be played as written or serve as a guide, and an optional band part is available separately. Performers will enjoy expl...

This piece is a dynamic, uplifting, and highly popular jazz setting of the Latin mass, featuring driving grooves and blues harmonies, with provision for short piano solos (notated or improvised) and g...

Every Thing That Grows' is an meaningful and uplifting setting of Shakespeare's Sonnet 15. Chilcott employs captivating vocal lines, a flowing piano part, and expressive clarinet interludes to reflect...

For upper voices, SATB, and piano. The music is shared at first between the upper-voice and mixed choirs before they come together, the one a delicious counter-melody to the other. The music is quite...

A work of thanksgiving, The Song of Harvest is an artfully crafted celebration of the earth and its riches. It is structured around five hymns with original melodies and opportunity for audience/congr...

The text is taken from Shelley's epic poem Prometheus Unbound. Skempton sets passages in which a Chorus of Hours and a Chorus of Spirits celebrate in ecstatic language the unshackling of the human spi...

This lyrical setting of Colin Coppen's text has a flowing piano accompaniment and a melody of elegant simplicity. It makes a charming addition to any concert or service, and is also available in a ver...

Described as 'an outstanding work of great solemnity and poignancy' (Tempo, 2013), McDowall's meditation on the sorrows of the Virgin Mary is a sophisticated alternative to more well-known settings.

Alan Smith's setting of the Latin hymn at Lauds for The Feast of Transfiguration is stately and solemn. Featuring imitative entries that open out into rich, expansive textures at climactic moments, th...

With a text by the composer, this work was originally inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal line is subtly underpinned by a...

Flute and harp parts for Bob Chilcott's easy and original setting of the well-known Rossetti text.

For SATB and percussion instruments (4 sand blocks (optional), 2 rainsticks, 2 claves, 1 shaker, and a low-pitched tomtom played with hard sticks) OR SATB and low-pitched tomtom played with hard stick...

'Where Riches is Everlastingly' is one of the carols in the volume Bob Chilcott Carols. The instruments needed are congas (or bongos), shaker (or triangle), cowbell (or claves).