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Arvo Pärt

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Arvo Pärt
St. Luke 3, 23-38

In which Was the Son of... for mixed a cappella-choir Arvo Pärt uses the Genealogy of Jesus in accordance with the Gospel of Luke. (St Luke 3, 23 -28). While the Magnificat from Luke Chapter I - the S...

In which Was the Son of... for mixed a cappella-choir Arvo Pärt uses the Genealogy of Jesus in accordance with the Gospel of Luke. (St Luke 3, 23 -28). While the Magnificat from Luke Chapter I - the S...

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These Two Lullabies were composed in 2002 by Arvo Pärt. The first, a Christmas Lullaby, is set for one singing voice and piano, the second, an Estonian Lullaby requires two female voices and piano. Bo...

These Two Lullabies were composed in 2002 by Arvo Pärt. The first, a Christmas Lullaby, is set for one singing voice and piano, the second, an Estonian Lullaby requires two female voices and piano. Bo...

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Arvo Pärt is a composer best known for his 'tintinnabuli' compositions. It is a lesser-known fact that in his earlier years as a composer, he also wrote children's songs and piano pieces along with mu...

Arvo Pärt is a composer best known for his 'tintinnabuli' compositions. It is a lesser-known fact that in his earlier years as a composer, he also wrote children's songs and piano pieces along with mu...

  • Choeur d'enfants et Piano
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Arvo Pärt
für Chor SATB oder Solisten und Orgel

The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and p...

The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and p...

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Arvo Pärt
Gospel according to St. Matthew 5, 3-12

Composed in 1990, and revised in 1991, for SATB Choir or soloists with organ accompaniment, Pärt's setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also...

Composed in 1990, and revised in 1991, for SATB Choir or soloists with organ accompaniment, Pärt's setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also...

  • Chœur mixte (SATB) et Orgue
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Arvo Pärt

Arvo Pärt's Mozart-Adagio (1992) for violin, cello and piano was composed for the Kalichstein-Laredo-Robinson Trio on commission by the Helsinki Festival, where it was premiered. The piece is in memor...

Arvo Pärt's Mozart-Adagio (1992) for violin, cello and piano was composed for the Kalichstein-Laredo-Robinson Trio on commission by the Helsinki Festival, where it was premiered. The piece is in memor...

  • Violon, Violoncelle et Piano
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Arvo Pärt
für Orgel

The basic musical material of Pari intervallo by Arvo Pärt consists of two parts which move exactly parallel to each other, so that the interval between them is always the same- hence the title. Pari...

The basic musical material of Pari intervallo by Arvo Pärt consists of two parts which move exactly parallel to each other, so that the interval between them is always the same- hence the title. Pari...

  • Orgue
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Arvo Pärt, Sofia Gubaidulina
pour orgue
  • Orgue
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  • Sikorski Musikverlag
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`Spiegel im Spiegel` is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel illustrates his creative principles: above a permanent flow...

`Spiegel im Spiegel` is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel illustrates his creative principles: above a permanent flow...

  • Flûte alto et Piano
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Arvo Pärt
für Streichquartett

Arvo Pärt wrote the prayer of peace Da pacem Domine to fulfil a commission from Jordi Savall. He began to set this ninth-century Gregorian antiphon two days after the Madrid bombings on 11 March 2004...

Arvo Pärt wrote the prayer of peace Da pacem Domine to fulfil a commission from Jordi Savall. He began to set this ninth-century Gregorian antiphon two days after the Madrid bombings on 11 March 2004...

  • Quatuor à Cordes
  • Conducteur et parties
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Arvo Pärt

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

  • Quatuor à Cordes
  • Conducteur et parties
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Arvo Pärt

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

  • Violoncelle et Piano
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  • Dietmar Schwalke
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Arvo Pärt
für Kontrabass und Klavier

Arvo Pärt's Spiegel im Spiegel for violin and piano, written in 1978, illustrates his creative principles: above a permanent flow of chords on the piano, the cello unfolds acantilena in long note valu...

Arvo Pärt's Spiegel im Spiegel for violin and piano, written in 1978, illustrates his creative principles: above a permanent flow of chords on the piano, the cello unfolds acantilena in long note valu...

  • Contrebasse et Orchestre
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It takes 75 minutes to relate the story of the Passion according to the Latin of St John's Gospel; Pärt uses solo singers for the roles of Pilate and Christ, and a group of four soloists (soprano, cou...

It takes 75 minutes to relate the story of the Passion according to the Latin of St John's Gospel; Pärt uses solo singers for the roles of Pilate and Christ, and a group of four soloists (soprano, cou...

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Arvo Pärt
Psalm 122 (121)

This piece for female choir a cappella is Pärt's musical interpretation of Psalm 122 (121): I rejoiced that they said to me, 'Let us go to the house of Yahweh.' At last our feet are standing at your g...

This piece for female choir a cappella is Pärt's musical interpretation of Psalm 122 (121): I rejoiced that they said to me, 'Let us go to the house of Yahweh.' At last our feet are standing at your g...

  • Choeur de femmes (SSA)
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Arvo Pärt

Commandée par l'université de Durham à l'occasion de son 175e anniversaire en 2007. La première mondiale a eu lieu le 10 décembre 2007 à St Martin-in-the-Fields, Londres, par le chœur de l'université...

Commandée par l'université de Durham à l'occasion de son 175e anniversaire en 2007. La première mondiale a eu lieu le 10 décembre 2007 à St Martin-in-the-Fields, Londres, par le chœur de l'université...

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Pärt is one of the few composers to whom the term new simplicity- in itself absurd, and used both mistakenly and misleadingly - really applies. After a thorough study of medieval music, he arrived at...

Pärt is one of the few composers to whom the term new simplicity- in itself absurd, and used both mistakenly and misleadingly - really applies. After a thorough study of medieval music, he arrived at...

  • Orgue
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Arvo Pärt

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

  • Cordes et Batterie
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  • Piano
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  • Piano
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Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

  • 8 Vents et Batterie
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  • Beat Brinner
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Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

  • 8 Vents et Batterie
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  • Beat Brinner
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  • Chœur mixte (SATB)
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Pärt's composition appears functional, plain, without intellectual secret-mongering. It is built upon single intervals, triads and little rhythm games as well as upon medieval patterns. These Magnific...

Pärt's composition appears functional, plain, without intellectual secret-mongering. It is built upon single intervals, triads and little rhythm games as well as upon medieval patterns. These Magnific...

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N ° de commande: UE19098