Henri Tomasi
Evocations
pour Saxophone Mib Seul
Henri Tomasi
Evocations
pour Saxophone Mib Seul
- Formation Saxophone alto
- Compositeur Henri Tomasi
- Édition Partition
- Maison d’Édition Alphonse Leduc
- N ° de commande AL24086
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Description:
French composer and conductor, Henri Tomasi (1901-1971) published Évocations 1969. As with his other wind compositions, Évocations for SoloSaxophone was well-received by audiences.
Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire andwenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to hiscompositions. Évocations is in four movements; 1) Peruvian, 2) Nigerian, 3) Cambodian. and 4) Scotsman. This Tomasi piece is suitable for advanced saxophonists, providing an exciting, alternative addition to the instrument's repertoire.
Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire andwenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to hiscompositions. Évocations is in four movements; 1) Peruvian, 2) Nigerian, 3) Cambodian. and 4) Scotsman. This Tomasi piece is suitable for advanced saxophonists, providing an exciting, alternative addition to the instrument's repertoire.