Young Jazz Classics

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

The definitive recording of this jazz classic is by Bill Evans, with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin styl...

The definitive recording of this jazz classic is by Bill Evans, with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin styl...

The definitive recording of this jazz classic is by Bill Evans, with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin styl...

The definitive recording of this jazz classic is by Bill Evans, with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin styl...

The definitive recording of this jazz classic is by Bill Evans, with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin styl...