Southern Music Woodwind

Originally composed by Cimarosa (1749-1801) for two flutes and orchestra, Louis Moyse revised this piano reduction version and wrote cadenzas for the flutes. It may be performed with two flutes or flu...

Originally composed by Cimarosa (1749-1801) for two flutes and orchestra, Louis Moyse revised this piano reduction version and wrote cadenzas for the flutes. It may be performed with two flutes or flu...

This flute quartet by Friedrich Kuhlau has been revised by Albert J. Andraud. Movments: I. Andante Maestoso, II. Scherzo, III. Adagio, IV. Rondo. Versions for flute quartet and clarinet quartet are av...

This arrangement by Arthur Ephross for flute choir is from 'Manzoni' Requiem. The vertical rhythms and homophonic writing allows an ensemble of intermediate players to focus on intonation and blending...

The Sonata in d Minor, Opus 108, was originally composed for violin and piano and dedicated Han von Bulow, conductor, composer and friend to Brahms. The sonata's expressive qualities and range lend th...

These cadenza are the results of a contest sponsored by the National Flute Association to provide cadenzas in an appropriate style for the 1991 competitions. There are four different cadenzas to choos...

This version of the famous Beethoven melody has been arranged for flute choir by Richard Thurston. Instrumentation: 4 standard C flutes with opt. alto and bass flutes.

An arrangement for woodwind quintet of the third movement from Brahm's 2nd Symphony.

This transcription of Romance and Minuet from Eine Kleine Nactmusik is provided by Arthur Ephross.

In this arrangement of Brahm's song, titled 'Wie Melodien Zieht Es Mir' (How Melodies Draw Me), James Thornton has passed the unison melody to all setions of the woodwind bnd. This will give the direc...

In this arrangement of Brahm's song, titled 'Wie Melodien Zieht Es Mir' (How Melodies Draw Me), James Thornton has passed the unison melody to all setions of the woodwind bnd. This will give the direc...

Originally written for a small orchestra, Brahms excluded violins from the original score intentionally, not wanting to include their outstanding brilliance of tone. Brahms instead suggests additional...

Parfaite pour les musiciens de niveau intermédiaire ou avancé, cette sérénade à trois voix exige une grande facilité technique pour atteindre une mélodie très lyrique. Des versions pour flûte alto en...

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...

From Hob. III:81, this Finale from Haydn's string quartet has been transcribed for a mixed clarinet quartet. The 3rd clarinet and alto clarinet parts both are derived from the viola, allowing the play...