New Novello Choral Edition

A Meditation on the Sacred Passion of the Holy Redeemer, for Tenor and Bass solo, SATB, and Organ, with hymns for congregational participation. The text was selected and written by Reverend J. Sparrow...

Rachmaninoff's music for the 'All-Night Vigil' service - long known inaccurately as his 'Vespers' - is a masterpiece in its own right. It draws on centuries-old Orthodox chant and the performance trad...

Gioachino Rossini (1792-1868) referred to his Petite Messe Solennelle as the 'last moral sin of my old age'. Written in 1863 for the Countess Louise Pillet-Will and first performed on 14th March 1864...

Edward Elgar's The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano, Tenor and Bass with Chorus and Orchestra. It is based on the epic poem, The Dream of Gerontius by John Henry Newman writ...

Gioachino Rossini (1792-1868) referred to his petite messe solennelle as the 'last mortal sin of my old age'. Written in 1863 for the Countess Louise Pillet-Will and first performed on 14 March 1864 a...

Chandos Anthem' No. 2, edited by Damian Cranmer.

Scored for soprano, alto, tenor and bass soli, SATB choir and orchestra. Haydn composed the Maria Theresa Mass in 1799, between the Creation and the Seasons. Revised edition by Michael Pilkington. Lat...

Vocal Score edition of the Gloria, for soprano and alto soloists, SATB choir and orchestra. Edited by Jasmin Cameron.

Edited and with a new completion by Duncan Druce. For Soprano, Alto, Tenor and bass soli, SATB chorus and orchestra. Introduction in English, German and French. Latin text.

The story of the composition of Mozart's Requiem has a strange, fabulous quality that is entirely typical of the events of his life. Whether we are considering his amazing exploits and achievements as...

The enduring classic Oratorio for SATB chorus and STB soli. This vocal score, arranged by Michael Pilkington, contains a piano/organ accompaniment and English/Geman text

Edited in a new English version by Neil Jenkins. With English and German text and an introduction in English, German and French.

Dvorak's Mass in D major Op. 86 was completed in 1887. It is scored for Soprano, Alto, Tenor and Bass soloists, SATB and organ, or SATB (with optional soloists) and orchestra.

Brahms' famous German Requiem, held by some to have been written in memory of Schumann, by others in memory of the composer's mother. This work was written for Soprano and Baritone soli, SATB chorus a...

Vocal score (with organ accompaniment) for Gounod's 1855 Mass for soprano, tenor and bass solists, SATB chorus and accompaniment.

The New Novello Choral Edition. Revised by Michael Pilkington. Latin text.

Hymn of Praise was composed in 1840 to celebrate the four-hundredth anniversary of the invention of printing. Scored for two soprano and tenor soloists, SATB and orchestra. English text by J. Alfred N...

Haydn composed six settings of the Mass text for the name day of Princess Maria Josepha Hemengild Esterhazy. The Nelson Mass is the third of these, written between 10 July and 31 August 1798. Scored...

Antonin Dvorak Requiem Mass, scored for soprano, alto, tenor and bass solists, SATB choir and orchestra. Vocal Score edition, edited by Michael Pilkington. This new edition follows the layout of the p...

The Mass in B minor (BWV232) is a stupendous creation that exemplifies Bach's mighty genius, composed for SSATB soli, SSATB chorus and orchestra. This edition, expertly edited by Neil Jenkins, contain...

For two soprano, tenor and bass soloists, double SATB chorus and orchestra.

Vocal Score edition of 'Harmonie-Messe' Hob. XXII:14, for soprano, alto, tenor and bass soli, SATB choir and orchestra. Revised by Michael Pilkington. The Wind Band Mass is the last of Haydn's six gre...

Beethoven's Mass In C was commissioned by Prince Nikolaus Esterhazy for the name-day of his wife Princess Maria, and was first performed on 13 September 1807. Beethoven's setting continues the series...

Te Deum for Soprano and Bass soloists, SATB Choir and Orchestra.

The original version of the popular J. S. Bach Magnificat in D, up a semitone. The same work with some slight differences in the familiar choral sections but more importantly, the addition of four Chr...