Kendor Archive Editions

Penned especially for young jazz bands, this beautiful rock ballad features trumpet or alto sax playing 'as written' solo lines. According to the score, directors have the option of adding auxiliary p...

Penned especially for young jazz bands, this beautiful rock ballad features trumpet or alto sax playing 'as written' solo lines. According to the score, directors have the option of adding auxiliary p...

As recorded by the Thad Jones-Mel Lewis Orchestra in 1974 for their Potpourri album on the Philadelphia International label, this highly expressive ballad opens with an unaccompanied 20-bar piano solo...

As recorded by the Thad Jones-Mel Lewis Orchestra in 1974 for their Potpourri album on the Philadelphia International label, this highly expressive ballad opens with an unaccompanied 20-bar piano solo...

As recorded by the Toshiko Akiyoshi/Lew Tabackin Big Band on the album Kogun, it features trombone or flugelhorn. Duration ca. 5:40.

As recorded by the Toshiko Akiyoshi/Lew Tabackin Big Band on the album "Kogun", it features trombone or flugelhorn. Duration ca. 5:40.

Written for the great Count Basie band in 1971, this alto sax feature in a warm, downtempo ballad setting provides written lines for the soloist so players with limited improvisation experience can st...

Written for the great Count Basie band in 1971, this alto sax feature in a warm, downtempo ballad setting provides written lines for the soloist so players with limited improvisation experience can st...

As recorded by the Thad Jones-Mel Lewis Orchestra on the Blue Note album of the same name, this lyrical showcase for flugelhorn and piano soloists also features impressive full-band and sax soli passa...

As recorded by the Thad Jones-Mel Lewis Orchestra on their Consummation album, this challenging score features two contrasting sections -- a slow, expressive ballad featuring solo flugelhorn, and a fa...

In this breezy bossa-rock for developing groups, 1st Tenor takes a solo chorus before being joined by 2nd Tenor in a unique call-and-response solo section that may be repeated according to the directo...

In this breezy bossa-rock for developing groups, 1st Tenor takes a solo chorus before being joined by 2nd Tenor in a unique call-and-response solo section that may be repeated according to the directo...

As recorded by Count Basie on the album I Told You So, this contemporary ballad in a slow swing groove features solos for piano, tenor sax, and trumpet (or flugelhorn). Tenor and trumpet also pair up...

As recorded by Count Basie on the album I Told You So, this contemporary ballad in a slow swing groove features solos for piano, tenor sax, and trumpet (or flugelhorn). Tenor and trumpet also pair up...

This accessible ballad, penned during Thad's later years in Denmark, is a rubato study in full-band expression. It opens with fortissimo brass, transitions to a quiet midsection showcasing saxes/woodw...

Exactly as recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on their Tales Of A Courtesan album, this slow, bluesy swing feature for bass trombone or tuba also boasts sax and brass solis, an ens...

As recorded by the Bob Mintzer Big Band on Incredible Journey, this gospel ballad is a full-length solo feature for tenor sax. It starts with a rubato intro in 4/4 before switching to 6/4, and goes ou...

As recorded by the Bob Mintzer Big Band on Incredible Journey, this gospel ballad is a full-length solo feature for tenor sax. It starts with a rubato intro in 4/4 before switching to 6/4, and goes ou...

As recorded by the Bob Mintzer Big Band on Incredible Journey, this gospel ballad is a full-length solo feature for tenor sax. It starts with a rubato intro in 4/4 before switching to 6/4, and goes ou...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Nestico says that all real '...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Sammy Nestico says that all...

Recorded in 1967 by Count Basie & His Orchestra on the album Basie Straight Ahead, this beautiful tune featuring alto sax includes written solo lines for players lacking improvisation confidence or ex...

Starting and ending as a ballad in a comfortable two-beat style, the jazz waltz midsection provides essential contrast in this beautiful arrangement of the Rimsky-Korsakoff classic. As always, attenti...

Recorded by Miles Davis on his iconic album Miles Ahead (Columbia) and arranged by the great Gil Evans, this moody ballad featuring trumpet throughout is not a technical showpiece, but rather requires...

Recorded by Miles Davis on his iconic album Miles Ahead (Columbia) and arranged by the great Gil Evans, this moody ballad featuring trumpet throughout is not a technical showpiece, but rather requires...