Jazz Ensemble Library

Mike Tomaro has penned a Latin style version of one of Jerome Kern's most often performed classics. Mike's creativity and total command of the idiom shines through in this superb chart.

Recorded by the group Big Bad Voodoo Daddy, this is a great medium-tempo mambo to add a little Latin spice to your program. Roger's excellent chart features distinctive melodies, solos for tenor and/o...

The world mourns the loss of one of its most genuinely kind souls with the passing of Mister Rogers. Fellow Pittsburgh neighbor Mike Tomaro pays tribute to this most famous of musical themes in this l...

Originally a hit for DeBarge in 1985 and more recently revived for the hit movie Moulin Rouge, here is a hot chart for your entire ensemble. This one really burns with Latin excitement.

This Mark Taylor original is written in a moderate samba style and starts with a quartet of alto, tenor, trumpet and trombone at the top. Also featured are ensemble riffs trading with solo drum fills....

This wonderful standard from the '30s receives a fresh and inviting treatment in the hands of John Berry. Featuring a medium swing style that alternates with sections of Latin, creative harmonies, and...

What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ense...

Composed in a light Bossa style, this is a great sounding feature for flugelhorn. Utilizing a wealth of orchestration colors in the accompaniment and a comfortable medium tempo, this is a terrific cho...

The trumpet section gets the spotlight for much of this Kenny Dorham standard, but there are still lots of interesting parts for all sections in this new arrangement by Michael Mossman. Written in a L...

This sophisticated and highly infectious mambo is written in a moderate tempo and features solo space for trumpet and alto sax (flute part optional). Originally composed for the Mario Bauza Orchestra,...

In the able hands of master arranger Michael Philip Mossman, this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo...

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

From Dizzy Gillespie's Afro-Cuban stylistic period, here is his delightfully infectious Fiesta Mojo set in a bouncy medium samba groove. A small group starts things off (including optional flute) supp...

Recorded in the mid 1950s and also known as 'Trane's Blues, ' this jazz classic is credited to Miles Davis but reportedly penned by John Coltrane. Regardless, Michael Mossman's refreshing version craf...

Originally composed by Mark Taylor four decades earlier, Love Beams proves its staying power with a new recording on Mark's big band CD To the Edge. With its easy going bossa style and gently flowing...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

This Calypso flavored composition from Sonny Rollins may not be as well-known as his St. Thomas, however Duke of Iron is a distinctive and marvelous tune on its own. Featuring the two tenor saxes and...

This well-known Cuban song has been recorded by countless artists through the years, and receives a standout contemporary setting for full jazz ensemble from Latin master Michael Mossman. Arranged in...

Composed by jazz master Dizzy Gillespie, and arranged here by Latin master Michael Mossman, this appealing chart features a comfortable cha-cha groove, a distinctive harmonic progression, and a tunefu...

With a hip arrangement that keeps the original flavor, John Berry has created a real crowd pleaser. Guaranteed fun!

Vous ne le reconnaîtrez peut-être pas par son titre, mais Libertango est l'un des tangos les plus connus dans le monde. Écrit avec des lignes sulfureuses pour les saxes et des ponctuations rythmiques...

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...

John Berry has taken this Cole Porter favorite and converted it into a real powerhouse chart for big band. Not just a re-hash of the version recorded by Buddy Rich, this exciting treatment alternates...