Jazz Ensemble Library

from The Sound of Music

Sammy's interpretation of this great old tune is right on target for today's jazz ensembles, with all the class we have come to expect from this master arranger! Written in a relaxed swing style, this...

This naturally swingin' tune has been a favorite among jazz artists for many years. Sammy's craftsmanship in orchestration is evident in this medium swing arrangement which requires no solos. A strong...

Taylor - Grade 4.

Gordon Goodwin's medium-slow treatment of this familiar standard swings hard right from the start! This expertly crafted chart features plenty of tutti ensemble writing, solo space for trumpet and pia...

In the skilled hands of Mark Taylor, here is a swingin' arrangement of this classic Ray Brown jazz waltz that features the saxes and plenty of great-sounding ensemble writing. This offers a nice style...

Here's a tuneful jazz standard by the master of jazz piano, Bill Evans. This creative and appealing medium swing chart features interesting counterpoint along with the classic melody. Tenor sax and tr...

Arranged here in a Basie-style slow swing setting, this well-crafted chart starts out as a study in ensemble writing with the brass in buckets and the drums on brushes. Later there is a solo for trump...

The landmark album by Miles Davis Birth of the Cool brought us a unique instrumentation (the nonet) along with distinctive jazz sounds. Without straying from the intent of the music and working direct...

Composed by Wayne Shorter and recorded by Art Blakey & the Jazz Messengers in 1963 on Ugetsu, here is One by One in a dynamic and muscular big band chart from the pen of Mark Taylor. Featuring a small...

Recorded by Art Blakey & the Jazz Messengers on the classic 1961 album Mosaic, this jazz standard shows the harmonically mature writing style of Wayne Shorter along with an intense hard bop energy. Ma...

The unlikely treatment in a swing style sets this arrangement apart as Mark Taylor takes Elton John's familiar hit in a completely new direction. The style alternates between a 2 feel and straight ahe...

Opening with the trombones on the head, here is a terrific swing tune written in a moderately fast bebop style. There is great interplay between sections and also solos for tenor and trumpet followed...

Tout musicien de jazz en herbe doit connaître Louis Armstrong et la façon dont il a influencé les styles de jazz américains. Voici un arrangement solide et swinguant pour l'ensemble de l'orchestre sur...

Originally recorded on the Miles Davis landmark recording Kind of Blue, here is a swingin' and updated take on this all-time blues favorite. Tasty full ensemble interludes surround solo space for alto...

Ce bijou de jazz de la plume de Tadd Dameron présente un style swing facile à suivre et s'adapte merveilleusement à un ensemble de jazz complet. L'arrangement de Mark comprend un petit groupe (alto, t...

What better instrument to feature on a bluesy bump and grind swinger like this than baritone sax? Written in a medium slow 12/8 feel, this chart will make your entire band sound great, plus allow an o...

Notably recorded by Clifford Brown and composed by legendary jazz pianist Duke Jordan, Mark Taylor's arrangement features a medium swing style and a brief duet for tenor and trumpet at the top. Then t...

Recorded during the pinnacle of Miles Davis' career, Seven Steps to Heaven has become a jazz standard and one of Miles' best-known tunes. Keeping the uptempo swing style of the original, this chart so...

Maybe not as well-known as some other famous Ellington standards, yet What Am I Here For? is an engaging and tuneful composition that certainly deserves more notice. Arranged in a medium swing style,...

We all have our iPhones, iPads, and iPods, and now thanks to Mark Taylor we have iBop! This medium tempo swing tune is 'bop-ish' in attitude and features a catchy riff-based melody stated first by the...

Recorded by the Brian Setzer Orchestra on the album Vavroom, this high-energy swing tune gives the entire ensemble a workout! The melody is skillfully traded around between sections of the ensemble, a...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic 'traffic jam' effect before settling into a more relaxed uptempo swing style. The melody is first stated by a c...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

This minor blues was written by Nat Adderley for Chicago jazz DJ, Holmes Daddy-O Daylie, and was first heard onCannonball Adderley's seminal album, Somethin' Else. This well-crafted arrangement swings...