Hinshaw Sacred

John Parker and David Lantz have teamed up once again to bring us this haunting work for either Christmas or Epiphany.

This simple, yet effective piece is suitable for Christmas Eve, Christmas morning, or for the Sunday following Christmas.

Accompanied by marimba (or piano) and hand percussion, this is truly a concert work for the Christmas season! Try it with your advanced church choir of college/university ensemble.

This piece makes use of a unique combination of familiar Christmas tunes set in a narrative about caroling. For SAB voices with piano, try in a group of light pieces on a holiday concert.

Joyful Christmas anthem with a catchy rhythm, written for SATB and organ

This lovely Castilian carol is also set in English (Bells in Bethlehem) for mixed voices and piano. This would be an excellent choice for your community chorus or school choir.

The Spanish folk tradition is a rich source of melodic and rhythmic expression. This energetic arrangement for mixed chorus with piano is successful in Spanish or English (Eager Shepherds On Their Way...

Global music has become quite popular amongst choirs the world round today. Try this rhythmic setting of a Bulgarian Christmas song with your high school, college/university, or community organization...

The text/music combination found in this work is highly successful. The beautiful melody and classic part writing combined with an engaging text produce a lovely anthem for Christmas or epiphany. Work...

Orlando Gibbons was a master of the verse anthem during the English renaissance. Here, David Giardiniere gives us a practical edition of the outstanding work. Try it during Advent or for Christmas.

This spiritual for Epiphany or Christmas is from the Andre Thomas Choral Series. The composer, Nathan Garris, cleverly sets the work for mixed voices with soprano and tenor solos and piano, a great ch...

Jay Althouse is a melodic master. This is a wonderful piece to help your choir learn how to develop four-measure phrase, suitable for your next Christmas Eve service.

From the Accent On Youth Series. An easy introduction to counterpoint, with emphasis on good diction, each phrase may be done by a section, but it sounds better with four groups of mixed voices.

This Christina Rossetti text has been set many times-but this SAB setting with keyboard and optional handbells is special indeed. Allen Pote is a master with simple melody, understands the voices of a...

A light and lilting Christmas piece for youth or adult choir containing keyboard accompaniment, with optional claves and handbells

A perennial favorite, this Christmas gem is also available in SAB (HMC179), SSA (HMC482), and high or low voice solo in the collection Welcome In The Stranger (HMC174).

A light, catchy rhythm makes this Christmas piece appealing, it is easily worked up by most groups.

The text for this lovely anthem is by the prolific lyricist Mary Kay Beall. Here, Lee Roesti sets the gentle text for mixed voices accompanied by piano or organ. Consider using the piece on Christmas...

Set to the free meter of chant, this piece is true to the 13th century plainsong. It is scored for SATB mixed chorus, optional children's choir, congregation and piano with optional flute or brass qui...

Set to texts by Christina Rossetti and composer, this Christmas work is scored for SAB mixed voices with piano. The lovely melodic lines are carefully combined with a simple yet engaging harmonic stru...

This SATB lullaby is quite accessible and contains a light, happy rhythm with a solo that tells the Christmas story. The soloist can be either male or female, or can be done by the tenor section.

An easily learned, simple, haunting Christmas lullaby, good choice for the young or inexperienced choir

From Gardner's 'Six American Hymns In A Free Style', his setting of the familiar Christmas carol has a pleasant and easy swing to it. The harmonization shifts from verse to verse, adding interest.

Pote's accessible setting of Rossetti's familiar poem begins and ends with solo voice, and features optional handbells and a C instrument.

First published in 1980, this could have been written for 2001. Ideal for small or inexperienced choirs, this is nothing new in the way of message, but gentle and 'hear-able', with a pleasant tune tha...