Discovery Jazz

Here is a clever blues tune written in a medium swing style. The melody features some half-step slippin' around played by full ensemble. Solo sections are also provided for any sax and any brass instr...

Composed and recorded by jazz legend John Coltrane, this medium tempo blues tune features an easy-to-play melody and solid tutti-style rhythms for the ensemble. In addition, the blues changes and mode...

Few purely instrumental tunes ever reach the level of popularity achieved by this familiar '60s hit by Booker T. and the MG's. Often used in TV and film, this infectious tune has a bluesy groove that'...

Here is a clever blues tune written in a medium swing style. The melody features some half-step slippin' around played by full ensemble. Solo sections are also provided for any sax and any brass instr...

Recorded by American blues singer John Lee Hooker in 1961, this remains one of his most identifiable and enduring songs. John Berry's bluesy swing version for young players includes the signature ques...

Arranged in a medium swing/shuffle style, here is a very easy version of this jazz standard by Sonny Rollins that maintains the style and feel of the original. Featuring a mix of tutti playing and cal...

Recorded on the 1956 album Cookin' with the Miles Davis Quintet, this jazz standard composed by pianist Red Garland adapts beautifully for beginning jazzers. With a moderate tempo, riff-based melody,...

Riff-based blues tunes are always valuable when teaching young players to improvise, and here is one of the best! Arranged here for inexperienced players, this Sonny Rollins classic features a swing s...

Finally, this Ellington classic is available for even the most inexperienced bands. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counte...

With a medium funk groove and catchy riff-like melody, this original by Rick Stitzel will quickly become one of your band's favorites. There's plenty of solid ensemble playing to make it easy to learn...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Anyone who remembers Blood, Sweat & Tears will instantly recognize this jazz-rock classic from the '60s. Perfect for teaching rock to beginning bands, this easy chart gives every section a chance to s...

With a medium funk groove and catchy riff-like melody, this original by Rick Stitzel will quickly become one of your band's favorites. There's plenty of solid ensemble playing to make it easy to learn...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Now available in a Discovery arrangement, this is the perfect way to introduce this standard to younger singers.Available separately: 3-Part Mixed, 2-Part and ShowTrax CD. Performance Time: Approx. 2:...

Now available in a Discovery arrangement, this is the perfect way to introduce this standard to younger singers. Available separately: 3-Part Mixed, 2-Part and ShowTrax CD. Performance Time: Approx. 2...

Carefully adapted for younger players, this arrangement of Cannonball Adderley's classic is set in a jazz-rock style throughout. The style remains faithful to the original, yet ranges and rhythms are...

Although known primarily as the theme for the famed Harlem Globetrotters, this familiar standard has remained popular through the years with recordings by countless jazz artists. Here's a fun version...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...