Choral Large Works

This Mass, composed in 1815 but not published until 1846, has great depth whilst also being lyrical and climactic. It was originally set for Soprano, Tenor and Bass Soli, SATB Chorus, Strings and Orga...

A Sacred Cantata for Solo Voice (Soprano, Tenor or Baritone) and SATB Choir with Organ. Text freely adapted from St. Luke.

Originally a purely orchestral work incorporated into Lenten services, The Seven Last Words of Christ (each 'word' is actually a full sentence) consists of a slow introduction; seven slow, meditative...

A Sacred Cantata for Solo Voices, Mixed Chorus and Piano or Organ Accompaniment.

Haydn composed 'Mass in Time of War' recognizing Europe's collective concern over the ambitious, youthful and at the time successful Napoleon. As he was was working on it, the Austrians were fighting...

For Four-Part Chorus of Mixed Voices with Piano Reduction of Orchestral Score.

This piece is a beautiful setting of Psalm 42, and is number 6 of the Chantos Anthems which were composed between 1717 and 1720 for the chapel of James, Duke of Chandos. It is arranged for SATB chorus...

This mass, known as the Theresienmesse, was the fourth of six masses which Handel had been commissioned to write by Prince Nicolaus II in celebration of the name day of his wife, Princess Maria Hermen...

This was Haydn's penultimate Mass, composed in the summer of 1801 as a central part of the name-day celebrations for Princess Marie Hermenegild Esterhazy. Written for SATB chorus and accompaniment. Th...

Verse Anthem for SSATB Choir and Organ, edited with keyboard reduction by William Herrmann.

This edition of the Organ score to Handel's Messiah is intended to make life a little easier for the organist who is to accompany this Choral work in place of an orchestra. Prepared by Warren Hutton a...

Organ Score for Sir John Stainer's The Crucifixion 'A meditation on the sacred passion of the holy redeemer'. Set here for SATB soli and SATB chorus and Organ, with hymns for congregational participa...

For Soprano, Baritone, Chorus and Ensemble.

Latin.

English text only.

Brahms' haunting Requiem, for organ.

Winds, percussion, keyboard and strings (6-6-3-3-3). Includes full score.

The first performance of Messiah took place at the New Music Hall in Dublin on April 13, 1742. It was received with huge acclaim, the Dublin Journal proclaiming that 'Messiah was allowed by the greate...

Commisioned by the San Francisco Symphony in 1981 to celebrate the inaugural season of the Louise M. Davies Symphony Hall, Harmonium sets the texts of John Donne (Negative Love) and Emily Dickinson (B...

With Baritone solo. Text by Dylan Thomas.

Vocal Score for this work for Baritone, SATB Chorus and Orchestra.

With 2 percussionists.

Latin/English.

With 4 soloists, string quartet and percussion.