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Presented here in a version for unison voices (with optional second part), this setting of words by the composer, based on a quote by Brian Palmer, encourages singers to listen to the sounds and peopl...

Presented here in a version for unison voices (with optional descant), this piece celebrates the wonder of the 'bright new moon'. The composer's own text, based on traditional Hebridean poems, is set...

Presented here in a version for unison voices (with optional second part), this piece is characterized by catchy melodies and a syncopated rhythmic drive, including a light-hearted vocal play motif ('...

Presented here in a version for unison voices (with optional second part), this piece is a compelling setting of words by American writer and civil rights activist James Weldon Johnson that speaks to...

Presented here in a version for unison voices (with optional second part), Wanderlust reflects on friendships and the desire to explore, against the backdrop of train-like sound effects from the voice...

Presented here in a version for unison voices (with optional second part), this uplifting work sets a text by the nineteenth-century poet Arthur O'Shaughnessy. The powerful words are embellished with...

The melody of this accessible carol for unison voices and piano (setting the composer's own lyrics) flows with ease. The finely controlled texture builds from sopranos over wordless backing to a rich...

A joyful carol of celebration with the refrain 'Gloria in excelsis Deo'.

In this macaronic carol, Arakelyan combines Latin and English texts and employs effective textural contrasts through unison, imitative, and polyphonic passages.

'Cantemos a María' is a popular Christmas carol from the Dominican Republic in the style of the merengue, the Dominican national dance. The villancico is characterized by its simple melodies and gentl...

The charming and vibrant melody of this attractive carol for choir and piano glides above harmonies that are almost entirely diatonic, but whose originality and frequent passing dissonances mean that...

This gentle yet joyful Christmas Carol sets a text that evokes imagery of Bethlehem at the time of Christ's birth: a land with olive trees and sheep on the hillside. The delicate and supportive piano...

This piece was originally published in a version for mixed voices. With lush harmonies, moments of dynamic intensity, and an overriding sense of awe, it would make an ideal centrepiece for a Christmas...

This is an attractive carol to a traditional Scottish text and with a gentle 'folk-y' feel. A flowing melody, complete with flattened 7ths and delicate Scotch snaps, appears in various guises, each ve...

second part) and piano. With a text by Eugene Field, Higgins' charming melodies gently rock in compound time and start off in unison before growing into a simple two-part texture. The voices are suppo...

From the collection Mack Wilberg Carols, this tender, gentle arrangement of the popular Austrian carol has two simple vocal lines (one for women and one for men), supported by a steady, rich piano acc...

This tunefully lilting carol for choir and organ will prove popular with audiences and choirs alike, its six verses deftly marrying variety with diversity to create an attractive shape.

A homely text by Joyce Kilmer is the starting-point for this gorgeously expressive ballad for unison voices and piano.

Setting a text by William Chatterton Dix, this rousing carol celebrates the birth of Jesus, with memorable modal inflections in the melody and a supportive piano accompaniment.

The composer writes: 'Persistent Memory is a little six minute drama . . . although the piano begins as the more aggressive partner and triggers the violin into animation, it is in fact the piano that...

Rory Boyle's Twa Burns Songs are arrangements of two traditional Scottish folk songs, setting words by Robert Burns. Guidance on the pronunciation of Scots words is given in the leaflet.

This virtuoso showpiece, dating from 2002, is worthy to stand alongside the Toccatas of Gigout and Boëllmann, and makes a superb conclusion to a service or recital on any size of organ.

This work is based on the traditional modes/scales of Armenia. 'Duduk' is the name of the Armenian oboe that is normally accompanied by drones. Erkoreka cleverly creates the illusion of the drone's pr...

Larsen's take on the famous witches' incantation, 'Double, double, toil and trouble,' from Shakespeare's Macbeth is filled with lurid word-painting and rhythmic tricks.

Due to popular demand, this tuneful carol is now available as a separate choral publication. Setting a text by Timothy Dudley-Smith, the choral leaflet preserves the flexible scoring of the original,...