Partitions de musique classique moderne pour orchestre à cordes

The engaging theme from this piano classic is instantly recognizable and your students will love its dark, forboding quality. Chromatic triads against a prominent bass line are trademarks of Rachmanin...

The engaging theme from this piano classic is instantly recognizable and your students will love its dark, forboding quality. Chromatic triads against a prominent bass line are trademarks of Rachmanin...

Cliff Colnot, chef d'orchestre et écrivain chevronné, a créé un ensemble unique de publications proposant des partitions spécialement destinées à des groupes d'étudiants de différents niveaux. Avec de...

Un air léger pour l'hiver ou les fêtes, facile et rapide à apprendre. Durée : 2:00

Un air léger pour l'hiver ou les fêtes, facile et rapide à apprendre. Durée : 2:00

The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere, with his symphonic, choral, and operatic works. October is arguably his most not...

Avec l'un des plus grands riffs de tous les temps, c'est celui sur lequel vous entendrez vos étudiants en cordes s'échauffer avant la répétition. Il est simple, contagieux et difficile à arrêter grâce...

Avec l'un des plus grands riffs de tous les temps, c'est celui sur lequel vous entendrez vos étudiants en cordes s'échauffer avant la répétition. Il est simple, contagieux et difficile à arrêter grâce...

Il est maintenant temps pour ces spécialistes des parties intérieures d'avoir leur moment sous les projecteurs, mis en vedette ici sur un groove puissant qui fait vibrer la maison. Stephen Bulla met l...

Composer Jim Kazik brings us this solid Grade 2 overture and programmatic piece that gives interesting melodic parts to all sections, including bass. Set in the comfortable key of E minor with careful...

Here's a fun way to teach simple syncopation in a style that students love to play. Fiesta for Strings also lends itself to some clever staging and includes simple, pattern-oriented percussion to add...

Here's a fun way to teach simple syncopation in a style that students love to play. Fiesta for Strings also lends itself to some clever staging and includes simple, pattern-oriented percussion to add...

Based on the spiritual Little David, Play Your Harp, James Curnow combines an American orchestral style with contemporary harmonies and orchestration to craft an impressive movement for strings. Simpl...

Based on the spiritual Little David, Play Your Harp, James Curnow combines an American orchestral style with contemporary harmonies and orchestration to craft an impressive movement for strings. Simpl...

This ideal teaching piece features all quarter notes in a confidence-building ensemble style, as well as good use of dynamics and pizzicato for beginning students.

This ideal teaching piece features all quarter notes in a confidence-building ensemble style, as well as good use of dynamics and pizzicato for beginning students.

In a moderate tempo, this learning piece is perfect for introducing common rhythms in 3/4 meter.

In a stately march tempo, Nobles of the Sword features tonal centers in A minor and C major, and is written in tutti style with ample opportunities to teach common rhythms (including dotted quarter/ei...

Composer Keith Christopher has penned an ideal teaching piece that's also a delightful performance work. Centered around scale-based melodies and diatonic harmony, it also features tasteful pizzicato...

Composer Keith Christopher has penned an ideal teaching piece that's also a delightful performance work. Centered around scale-based melodies and diatonic harmony, it also features tasteful pizzicato...

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Easy yet tasteful writing is a feature of this new teaching piece from Stephen Bulla. Set in a gentle 3/4 waltz style, it has a good blend of music detail and accessibility for your developing string...

Qui a dit que Beethoven ne pouvait pas être amusant ? Voici une interprétation intelligente du motif de quatre notes le plus célèbre de la musique classique, avec un traitement techno-dansant actuel.

Qui a dit que Beethoven ne pouvait pas être amusant ? Voici une interprétation intelligente du motif de quatre notes le plus célèbre de la musique classique, avec un traitement techno-dansant actuel.