Sammy Nestico : Partitions moyen

In this breezy bossa-rock for developing groups, 1st Tenor takes a solo chorus before being joined by 2nd Tenor in a unique call-and-response solo section that may be repeated according to the directo...

In this breezy bossa-rock for developing groups, 1st Tenor takes a solo chorus before being joined by 2nd Tenor in a unique call-and-response solo section that may be repeated according to the directo...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Nestico says that all real '...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Sammy Nestico says that all...

Starting and ending as a ballad in a comfortable two-beat style, the jazz waltz midsection provides essential contrast in this beautiful arrangement of the Rimsky-Korsakoff classic. As always, attenti...

This beautiful, torchy jazz ballad in two tempos features solo trumpet throughout. Written lines with chord changes are provided for the soloist, and even though the solo lines are pretty, they should...

This beautiful, torchy jazz ballad in two tempos features solo trumpet throughout. Written lines with chord changes are provided for the soloist, and even though the solo lines are "pretty," they shou...

According to the score notes for this pensive adaptation, the key to a warm and colorful rendition lies chiefly in an exceptional emphasis on dynamics. Playing in a smooth legato style and with vibrat...

According to the score notes for this pensive adaptation, the key to a warm and colorful rendition lies chiefly in an exceptional emphasis on dynamics. Playing in a smooth legato style and with vibrat...

Recorded by Count Basie & His Orchestra in the late 1960's, this classic blues for developing ensembles features written or ad lib solos for trombone and drums. Midway through, shortly after the tromb...

This arrangement calls for a very lazy feel. Keep saxes quiet behind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce s...

Originally recorded by Count Basie, then re-recorded in 2005 by the SWR Big Band CD Basie-cally Sammy, this medium tempo chart featuring a small combo within the jazz ensemble has an unconventional ch...

Enchant your audience with "Persuasion", an incomparably elegant solo jazz ballad for alto saxophone and concert band, published by Belwin Music. This masterful work puts the warm, lyrical sound of th...

This tune has a comfortable tempo, easy ranges, well-balanced ensemble chorus and a very handsome harmonic structure. All parts are interesting and contribute to the whole picture. Trumpet, alto sax a...

Cette version simplifiée du swing classique enregistré par l'orchestre de Count Basie s'ouvre sur un solo de piano de 12 mesures soutenu par la guitare, la basse et la batterie avant que les entrées d...

Scored for augmented jazz ensemble, this version of the old Scottish favorite is set in a very relaxed two-beat feel that clears the way for everyone to focus on playing with exaggerated dynamic contr...

Scored for augmented jazz ensemble, this version of the old Scottish favorite is set in a very relaxed two-beat feel that clears the way for everyone to focus on playing with exaggerated dynamic contr...

Le compositeur Neal Hefti a écrit ce swing classique pour Count Basie et le légendaire arrangeur Sammy Nestico l'a écrit pour la Jazz Band Series. Votre groupe brillera sur cette partition à tempo moy...

Mack the Knife, tiré de The Three Penny Opera, est conçu pour un orchestre de lycée et de collège avancé. L'instrumentation comprend 5 saxophones, 8 cuivres et 4 parties rythmiques. Les parties option...

With the first half of this arrangement written as a conventional waltz in 3/4 and the second half scored in 4/4 swing, this great classic for augmented jazz ensemble calls for clean, crisp articulati...

With the first half of this arrangement written as a conventional waltz in 3/4 and the second half scored in 4/4 swing, this great classic for augmented jazz ensemble calls for clean, crisp articulati...

Recorded on the SWR big Band CD Fun Time, this medium tempo ballad has an irresistible Latin beat.

From the first note to the last, solo oboe carries the day in this beautiful bossa nova setting of the famous Christmas season classic. Though some brief ad lib opportunities are given, written solo l...